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THE POWER OF ONE

Ideals must be back, for Courtenay's first novel is a fast-paced book with an old-fashioned, clean-cut hero, easily identifiable villains, no sex, and saintlike sidekicks. All done in sturdy, workmanlike prose. Set in South Africa in the 1940s, the novel resembles those enormously popular books on southern Africa written by John Buchan and H. Rider Haggard. Courtenay's Peekay, like those earlier heroes, inspires devotion from a disparate band of followers, which includes a witch doctor, a German professor, a barmaid, Gert the Afrikaans policeman, Morrie the Jewish refugee, and his Oxbridge headmaster. Courtenay lovingly evokes an African landscape of small town and bush as he describes the journey of Peekay—from a horrendously cruel boarding school to a triumphant vindication as a young man in the copper mines of what is now Zambia. At his first school, Peekay, as the only English child in an otherwise Afrikaans school, is held accountable for all the wrongs inflicted by the British. But a fortuitous meeting with an amateur boxer, "Kid Louis" Groenewald, supplies the young Peekay with the means and the drive to fight back. Peekay learns to box (boxing fans will particularly appreciate the vividly described fights) and thereafter is forever serving justice and earning Brownie points. His first teachers are the tough Afrikaner jailers of his hometown prison and a black prisoner. Later, at a prep school in Johannesburg, while the victorious Afrikaner Nationalists introduce apartheid, he is taught by the best trainer in Africa. As well as being a scholar and everybody's favorite young man, Peekay also earns a reputation among the blacks as a great chief—"The Tadpole Angel"—who is destined to save them, but not in this book. Peekay is just too noble, and his political views, perhaps reflecting those of his times, are paternal to say the least. But, nevertheless, this is a somewhat endearing, if uncritical, celebration of virtue and positive thinking. Despite the lack of shading and the chipper philosophy, then, a surprisingly refreshing debut.

Pub Date: June 12, 1989

ISBN: 978-0-345-41005-4

Page Count: 523

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1989

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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