An intriguing memoir that suffers from confusing narrative lapses, such as contradictory accounts of Zach's work history.
The author of Friday Night Lights (1990) chronicles a cross-country road trip he shared with his 24-year-old brain-damaged son Zach.
In addition to probing his son's inner life, Vanity Fair and Daily Beast contributor Bissinger (Three Nights in August, 2005, etc.) attempts to re-create the pleasure he took in being on the road with his own father. The author explains that Zach has the comprehension skills of a 9-year-old because of brain damage suffered at the time of his premature birth, three minutes later than his twin brother Gerry. Yet while Zach's mental processes are slow, he has a phenomenal memory, complete recall of past events, friends with whom he corresponds by e-mail and a close relationship with Gerry. Because of his limited mental capacities, Zach works as a supermarket bagger: “He has been doing the same job for five years, and he will do the same job for the rest of his life,” writes the author. “My son's professional destiny is paper or plastic.” Bissinger laments what he believes to be his son’s impoverished mental life in ways that sometimes seem unduly condescending—e.g., expressing disappointment that he prefers swimming or sitting by the hotel pool to gambling at the tables in Las Vegas, one of the stops on their trip. The author describes an exciting bungee jump that he shared with his son, and meetings with friends and relatives they visit on the way to Los Angeles, but much of the book is devoted to flashbacks about incidents in his own life, his failures and disappointments as well as the pains and pleasures of fatherhood. Surprisingly, while he had hoped to help his son expand his mental horizons, the author was the one who gained valuable insights, one of which was the realization that his son does indeed have a rich inner life.
An intriguing memoir that suffers from confusing narrative lapses, such as contradictory accounts of Zach's work history.Pub Date: May 15, 2012
ISBN: 978-0-547-81656-2
Page Count: 256
Publisher: Houghton Mifflin Harcourt
Review Posted Online: Feb. 19, 2012
Kirkus Reviews Issue: March 1, 2012
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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