College football and World War II: not an obvious combination, but Bissinger handles it brilliantly.
A uniquely focused World War II history interweaving military heroics and college football.
Many books describe the consequential Battle of Okinawa in 1945, but this one deserves serious attention. Pulitzer Prize–winning journalist Bissinger, author of Friday Night Lights, makes good use of his sports expertise to deliver a vivid portrait of college football before and during WWII, when it was a national obsession far more popular then professional leagues. He recounts the lives and families of a group of outstanding players who made their marks before joining the Marines to endure brutal training followed by a series of island battles culminating in Okinawa, which many did not survive. The author, whose father served at Okinawa, offers illuminating diversions into Marine history, the birth of amphibious tactics between the wars (they did not exist before), the course of the Pacific war, and the often unedifying politics that guided its course. To readers expecting another paean to the Greatest Generation, Bissinger delivers several painful jolts. Often racist but ordered to accept Black recruits, Marine leaders made sure they were segregated and treated poorly. Though many of the athletes yearned to serve, some took advantage of a notorious draft-dodging institution: West Point. Eagerly welcomed by its coaching staff, which fielded the best Army teams in its history, they played throughout the war and then deliberately flunked out (thus avoiding compulsory service) in order to join the NFL. In December 1944 on Guadalcanal (conquered two years earlier), two bored Marine regiments suffered and trained for the upcoming invasion. Between them, they contained 64 former football players. Inevitably, they chose sides and played a bruising, long-remembered game, dubbed the Mosquito Bowl. In the final third of the book, Bissinger provides a capable account of the battle, a brutal slog led by an inexperienced general who vastly underestimated his job. The author emphasizes the experience and tenacity of his subjects, most of whom were among the 15 killed.
College football and World War II: not an obvious combination, but Bissinger handles it brilliantly.Pub Date: Sept. 13, 2022
ISBN: 978-0-06-287992-9
Page Count: 480
Publisher: Harper/HarperCollins
Review Posted Online: June 16, 2022
Kirkus Reviews Issue: July 15, 2022
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.
A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.
To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.Pub Date: Sept. 12, 2023
ISBN: 9781982181284
Page Count: 688
Publisher: Simon & Schuster
Review Posted Online: Sept. 12, 2023
Kirkus Reviews Issue: Oct. 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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