An intriguing memoir that suffers from confusing narrative lapses, such as contradictory accounts of Zach's work history.
The author of Friday Night Lights (1990) chronicles a cross-country road trip he shared with his 24-year-old brain-damaged son Zach.
In addition to probing his son's inner life, Vanity Fair and Daily Beast contributor Bissinger (Three Nights in August, 2005, etc.) attempts to re-create the pleasure he took in being on the road with his own father. The author explains that Zach has the comprehension skills of a 9-year-old because of brain damage suffered at the time of his premature birth, three minutes later than his twin brother Gerry. Yet while Zach's mental processes are slow, he has a phenomenal memory, complete recall of past events, friends with whom he corresponds by e-mail and a close relationship with Gerry. Because of his limited mental capacities, Zach works as a supermarket bagger: “He has been doing the same job for five years, and he will do the same job for the rest of his life,” writes the author. “My son's professional destiny is paper or plastic.” Bissinger laments what he believes to be his son’s impoverished mental life in ways that sometimes seem unduly condescending—e.g., expressing disappointment that he prefers swimming or sitting by the hotel pool to gambling at the tables in Las Vegas, one of the stops on their trip. The author describes an exciting bungee jump that he shared with his son, and meetings with friends and relatives they visit on the way to Los Angeles, but much of the book is devoted to flashbacks about incidents in his own life, his failures and disappointments as well as the pains and pleasures of fatherhood. Surprisingly, while he had hoped to help his son expand his mental horizons, the author was the one who gained valuable insights, one of which was the realization that his son does indeed have a rich inner life.
An intriguing memoir that suffers from confusing narrative lapses, such as contradictory accounts of Zach's work history.Pub Date: May 15, 2012
ISBN: 978-0-547-81656-2
Page Count: 256
Publisher: Houghton Mifflin Harcourt
Review Posted Online: Feb. 19, 2012
Kirkus Reviews Issue: March 1, 2012
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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