by C. David Priest ‧ RELEASE DATE: July 2, 2010
Da Vinci Code fans will be mildly intrigued.
A globe-trotting, perspective-shifting thriller filled with conspiracy theories and secret societies.
When the novel opens, the daughter of noted neurosurgeon Maurice Bergman is in a coma: She was poisoned at an archaeological dig site near Sidon, Lebanon, where Joseph, the father of Jesus, purportedly rests. Her father must take her to Rome in order to cure her. Once there, she’s given a drug that magically wakes her, and she’s able to explain to her father what occurred: She stumbled on the bones of St. Joseph, and an angel appeared to her in the guise of her dead mother to give her some kind of a fertility doll. Elsewhere, two men who were hired to fetch the statue of the Virgin are now explaining themselves not to the priest who hired them, but to a third party; the exact mechanics of their criminal endeavors remain murky throughout the novel. Also involved are an Austrian professor of Egyptian antiquities named Ernst Von Biden and an American investigative reporter, Marvin Challet, who seem to be representing the interests of the Catholic Church. Narrative focus switches between these groups from chapter to chapter, further complicating an already bewildering story. Inconsistencies and questions abound, even beside the credulity-straining Gnostic plot. For example, if this girl is so ill, why is she in her father’s house and not in the hospital? Even the best neurosurgeons don’t have access to the necessary level of machinery and medication at home. Furthermore, it’s difficult to swallow that a father fearing for his daughter’s life would automatically take the word of a stranger who calls to inform him about his daughter’s poisoning and who further insists that the treatment for this condition is available only in Rome. Even if that were true, logic dictates that it’s much easier to send medication than to bring a girl in a coma overseas. Indeed, none of the medical aspects of the novel can be looked at too closely. Punctuation errors, usually involving commas, pop up on nearly every page, as does an overreliance on ellipses to indicate speech patterns. Frequently, clunky phrasing and poor diction submerge the narrative—i.e., “laughed belly laughs.” The author also often ignores that old standby of writerly advice: Show, don’t tell. Sometimes, even the dialogue is painfully expository: “You must be weary having just arrived from Lebanon,” a man helpfully explains to his guests.Da Vinci Code fans will be mildly intrigued.
Pub Date: July 2, 2010
Page Count: 262
Review Posted Online: Jan. 25, 2013
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In more ways than one, a tale about young creatures testing their wings; a moving, entertaining winner.
Awards & Accolades
A fifth-grade New Orleans girl discovers a mysterious chrysalis containing an unexpected creature in this middle-grade novel.
Jacquelyn Marie Johnson, called Jackie, is a 10-year-old African-American girl, the second oldest and the only girl of six siblings. She’s responsible, smart, and enjoys being in charge; she likes “paper dolls and long division and imagining things she had never seen.” Normally, Jackie has no trouble obeying her strict but loving parents. But when her potted snapdragon acquires a peculiar egg or maybe a chrysalis (she dubs it a chrysalegg), Jackie’s strong desire to protect it runs up against her mother’s rule against plants in the house. Jackie doesn’t exactly mean to lie, but she tells her mother she needs to keep the snapdragon in her room for a science project and gets permission. Jackie draws the chrysalegg daily, waiting for something to happen as it gets larger. When the amazing creature inside breaks free, Jackie is more determined than ever to protect it, but this leads her further into secrets and lies. The results when her parents find out are painful, and resolving the problem will take courage, honesty, and trust. Dumas (Jaden Toussaint, the Greatest: Episode 5, 2017, etc.) presents a very likable character in Jackie. At 10, she’s young enough to enjoy playing with paper dolls but has a maturity that even older kids can lack. She’s resourceful, as when she wants to measure a red spot on the chrysalegg; lacking calipers, she fashions one from her hairpin. Jackie’s inward struggle about what to obey—her dearest wishes or the parents she loves—is one many readers will understand. The book complicates this question by making Jackie’s parents, especially her mother, strict (as one might expect to keep order in a large family) but undeniably loving and protective as well—it’s not just a question of outwitting clueless adults. Jackie’s feelings about the creature (tender and responsible but also more than a little obsessive) are similarly shaded rather than black-and-white. The ending suggests that an intriguing sequel is to come.In more ways than one, a tale about young creatures testing their wings; a moving, entertaining winner.
Pub Date: Nov. 11, 2017
Page Count: 212
Publisher: Plum Street Press
Review Posted Online: Feb. 22, 2018
Kirkus Reviews Issue: April 15, 2018
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A YA novel that treats its subject and its readers with respect while delivering an engaging story.
In the ninth book in the Bluford young-adult series, a young Latino man walks away from violence—but at great personal cost.
In a large Southern California city, 16-year-old Martin Luna hangs out on the fringes of gang life. He’s disaffected, fatherless and increasingly drawn into the orbit of the older, rougher Frankie. When a stray bullet kills Martin’s adored 8-year-old brother, Huero, Martin seems to be heading into a life of crime. But Martin’s mother, determined not to lose another son, moves him to another neighborhood—the fictional town of Bluford, where he attends the racially diverse Bluford High. At his new school, the still-grieving Martin quickly makes enemies and gets into trouble. But he also makes friends with a kind English teacher and catches the eye of Vicky, a smart, pretty and outgoing Bluford student. Martin’s first-person narration supplies much of the book’s power. His dialogue is plain, but realistic and believable, and the authors wisely avoid the temptation to lard his speech with dated and potentially embarrassing slang. The author draws a vivid and affecting picture of Martin’s pain and confusion, bringing a tight-lipped teenager to life. In fact, Martin’s character is so well drawn that when he realizes the truth about his friend Frankie, readers won’t feel as if they are watching an after-school special, but as though they are observing the natural progression of Martin’s personal growth. This short novel appears to be aimed at urban teens who don’t often see their neighborhoods portrayed in young-adult fiction, but its sophisticated characters and affecting story will likely have much wider appeal.A YA novel that treats its subject and its readers with respect while delivering an engaging story.
Pub Date: Jan. 1, 2004
Page Count: 152
Publisher: Townsend Press
Review Posted Online: Jan. 26, 2013
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