A lavishly detailed, character-driven tale about the Roman world.
A debut historical novel captures the last years of the Roman Republic from varying perspectives.
The story opens in Rome in 90 B.C.E. with the young Julius Caesar being tutored on the fall of the ancient empires of the Mediterranean. The narrative charts Caesar’s development from eager scholar to esteemed soldier who was awarded a civic crown for saving the lives of his fellow fighters. The story of Caesar’s ongoing rise to power is but one thread in a larger fabric. Ruppelt recognizes that “a huge part” of Caesar’s “fighting force and camp followers consisted of people from all walks of life and all over the Mediterranean.” He therefore sets about creatively reimagining the lives of these individuals. The novel tells the story of Ozalkis and his nephew Adherbal, two Numidian archers who join the Ninth Legion after their family is slaughtered during a tribal raid on their home. The two men are assigned to Hispania, where they are to fight the Celts. The author also examines the theater of war from a Celtic perspective with a focus on female warriors such as Aina, who is battling for her clan’s survival. Other characters, like Timon, a slave, allow Ruppelt to explore a broad cross section of Roman society, from the most powerful to the most vulnerable. This ambitious epic of more than 400 pages skillfully manages an extensive and diverse cast of characters to illuminate a complex, multicultural Roman world. The author has an exceptional eye for detail, and his corresponding depth of research is particularly evident when describing Celtic combat training, where future warriors are instructed on the “twelve doors to the soul.” To discover one of these vulnerable points in their opponents, the young boys and girls are instructed: “Feel the back of your skulls, where the bone ends, and the soft tissue starts. Yes, that’s the point.” Ruppelt’s use of informative and plausible dialogue heightens the narrative effect, transporting readers to the training ground. It is only on occasion that conversations betray a contemporary tenor, for example when the “newly minted commoner” Pulcher comments: “I partied with his younger sister.” Nevertheless, this book, illustrated with maps, diagrams, and a family tree, is a thorough and refreshingly far-reaching interpretation of Roman society that should be of great interest to aficionados of the genre.
A lavishly detailed, character-driven tale about the Roman world.Pub Date: Oct. 30, 2018
ISBN: 978-1-73290-760-7
Page Count: 428
Publisher: C.K. RUPPELT
Review Posted Online: March 30, 2019
Kirkus Reviews Issue: May 1, 2019
Review Program: Kirkus Indie
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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