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FOURTH CHRONICLES OF ILLUMINATION

The complexity deepens in this kaleidoscopic adventure series.

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This latest installment of a YA saga places teen Librarians in the ultimate battle against sinister forces.

Eighteen-year-old Johanna Charette and 17-year-old Jackson Roth are co-curators of the Library of Illumination, where characters from books come to life. Their workplace is part of an interdimensional system of 13 Libraries, currently under siege by the militant Nero 51 of the realm Terroria. The tentacled dictator has invaded the realms of Mysteriose, Romantica, and Juvenilia (among others) to bring every Library under his bland control. His plan includes forcing the citizenry of these worlds into work camps and kidnapping the curators. But when he captures Johanna, he also grabs Cameron Thorne, dean of English at Cranford University, and Ophelia, a white kitten. On Earth (Fantasia), Jackson hopes to contact Johanna by writing to her in her magical diary. He’s consumed with worry for her and skips out on the Exeter High senior prom, which darkens the fates of his girlfriend, Emily Brent, and his friends Logan Elliott and Cassie Turner. Meanwhile, the hu*bots of Adventura must prevent solar storms from destroying their planet. Later, Master Ryden Simmdry and Pru Tellerence, both deans of the Prime Realm, reveal a startling secret that may help Johanna survive the final battle with the time-hopping Nero 51. In this epic excursion across the Illuminated worlds, Pack (Third Chronicles of Illumination, 2017, etc.) chops her story into fine bits—sometimes a single paragraph long—to cover the action on all fronts. Even her sharpest fans may need to reference the character index in the novel’s rear—though Thor, God of Thunder and Buffalo Bill Cody should need no reintroduction. Amid this detailed, often hectic sci-fi narrative, the plot threads of Pack’s high schoolers remain the most compelling. The Terrorians’ fear of cats is hilarious, but the drama wrought by Logan’s obsession with becoming a successful news intern—and reporting the Library to the world—is exceptional. Longtime readers may miss the intimacy of earlier volumes but should brace themselves for the darkest, most rewarding installment yet.

The complexity deepens in this kaleidoscopic adventure series.

Pub Date: April 3, 2018

ISBN: 978-0-9979084-6-6

Page Count: 344

Publisher: Artiqua Press

Review Posted Online: March 21, 2018

Kirkus Reviews Issue: May 15, 2018

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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