Fast-paced and sex-crazed; a wild ride for the protagonists and their fans.
From author Hart (Fallen, 2014, etc.) comes an erotic crime novel featuring an unlikely pair of heroes.
Though a commanding emergency room resident who states “I’m most at home in my scrubs,” Sloane is a young woman willing to prostitute herself for a night if it will help find her missing sister. Somewhat inexperienced, she finds sex with a stranger arousing: “I’ve never felt anything like this before. It feels…incredible.” The man behind the incredible experience is Zeth Mayfair. Working as muscle for a criminal organization run by an English rough named Charlie, Zeth is no stranger to violence. He is, however, not without his scruples. Alarmed that Charlie has begun trafficking in young women—as opposed to just drugs and other less objectionable crimes—Zeth is suspicious of his longtime boss. When a trip to the emergency room reunites Zeth and Sloane years after their initial encounter, the two embark on a quest, filled with erotic pauses, to find Sloane’s sister. Sexual, violent and swarming with biker gangs, trauma patients and a troubled girl named Lacey (as Zeth laments, “I’ve got fifteen minutes to get home before Lacey officially freaks the fuck out”), the story moves at top speed. Coercing the initially virginal Sloane into all sorts of acts ranging from public masturbation (“I am not masturbating in a public restroom, buddy!” Sloane initially insists) to explicitly described orgy attendance, the goal of finding Sloane’s sister tends to take a back seat to more X-rated scenes. While sections with gangsters can prove stereotypical; e.g., a Mexican gang lord asks, “Going somewhere, ese?” readers interested in myriad graphic bedroom activities will not be disappointed: Sloane and Zeth may hail from different backgrounds, but their combined erotic charge is irresistible.
Fast-paced and sex-crazed; a wild ride for the protagonists and their fans.Pub Date: Feb. 12, 2014
ISBN: 978-0992597122
Page Count: 180
Publisher: CreateSpace
Review Posted Online: Dec. 30, 2014
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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