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THE LOST VILLAGE

A memorably creepy newcomer to the crowded field of Nordic noir that’s worth a miniseries itself.

An aspiring TV producer and her skeletal crew of four head deep into the Swedish hinterland to make an underfunded documentary series about a village that vanished overnight 60 years ago. What could possibly go wrong?

One day in 1959, Silvertjärn was a mining village of 887 inhabitants. The next day, its population was down to two: Birgitta Lidman, bound to a post and stoned to death in the town square, and a baby girl left in a schoolroom. Alice Lindstedt has been haunted all her life by the mystery of the vanished citizens, whose numbers included her grandmother, retired nurse Margareta, and most of her relatives. In the years since, there have been remarkably few clues. The infant, adopted long ago by a couple who raised her as Hélène Grimelund, knew nothing about the fate of her birthplace, but now Alice, who’s fought through poverty, temp jobs, and clinical depression, is resolved that “The Lost Village is my ticket out of all that.” Things go badly from the beginning. Co-producer Tone Grimelund sprains her ankle while she’s exploring one of the deserted houses and then disappears herself. Someone sets the crew’s vans on fire, and Alice’s college friend Emmy Abrahamsson, cameraman Robert, and financial backer Max eye each other warily even as they agree that the culprit must have been someone else. All the while, debut novelist Sten is counterpointing their adventures with a series of flashbacks to 1959, bringing Silvertjärn closer and closer to the brink of annihilation.

A memorably creepy newcomer to the crowded field of Nordic noir that’s worth a miniseries itself.

Pub Date: March 23, 2021

ISBN: 978-1-2502-4925-8

Page Count: 352

Publisher: Minotaur

Review Posted Online: Nov. 26, 2020

Kirkus Reviews Issue: Dec. 15, 2020

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IF IT BLEEDS

Vintage King: a pleasure for his many fans and not a bad place to start if you’re new to him.

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The master of supernatural disaster returns with four horror-laced novellas.

The protagonist of the title story, Holly Gibney, is by King’s own admission one of his most beloved characters, a “quirky walk-on” who quickly found herself at the center of some very unpleasant goings-on in End of Watch, Mr. Mercedes, and The Outsider. The insect-licious proceedings of the last are revisited, most yuckily, while some of King’s favorite conceits turn up: What happens if the dead are never really dead but instead show up generation after generation, occupying different bodies but most certainly exercising their same old mean-spirited voodoo? It won’t please TV journalists to know that the shape-shifting bad guys in that title story just happen to be on-the-ground reporters who turn up at very ugly disasters—and even cause them, albeit many decades apart. Think Jack Torrance in that photo at the end of The Shining, and you’ve got the general idea. “Only a coincidence, Holly thinks, but a chill shivers through her just the same,” King writes, “and once again she thinks of how there may be forces in this world moving people as they will, like men (and women) on a chessboard.” In the careful-what-you-wish-for department, Rat is one of those meta-referential things King enjoys: There are the usual hallucinatory doings, a destiny-altering rodent, and of course a writer protagonist who makes a deal with the devil for success that he thinks will outsmart the fates. No such luck, of course. Perhaps the most troubling story is the first, which may cause iPhone owners to rethink their purchases. King has gone a far piece from the killer clowns and vampires of old, with his monsters and monstrosities taking on far more quotidian forms—which makes them all the scarier.

Vintage King: a pleasure for his many fans and not a bad place to start if you’re new to him.

Pub Date: April 20, 2020

ISBN: 978-1-9821-3797-7

Page Count: 448

Publisher: Scribner

Review Posted Online: March 14, 2020

Kirkus Reviews Issue: April 1, 2020

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SHE DIDN'T SEE IT COMING

Lapena’s talents shine in this irresistible novel about revenge, betrayal, and secrets.

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So many suspects, so little evidence in Lapena’s latest tale of domestic suspense.

Busy mom Bryden Frost doesn’t see it coming after a morning fender bender involving a Tesla and its charming owner, Derek Gardner, sets her on a collision course with fate. Or does it? Just as in her other fast-moving, women-centric novels, including her breakout The Couple Next Door (2016), Lapena’s female protagonists appear to be living normal lives that some people might even envy—at least at first. When Bryden’s husband, Sam, returns home from work in Albany, New York, to find her missing but her purse and phone still in their apartment, a police investigation ensues. Did Bryden run away? Was she kidnapped? Or could she still be somewhere in the building? Sam is the prime suspect until police Det. Jayne Salter and her team hear from a source that Bryden was having an affair with Derek, something he denies. As Lapena builds her twisty plot, we soon see that these two men aren’t the only people who could be responsible for Bryden’s disappearance. Her sister, Lizzie, who has always been jealous of Bryden, has an addiction she’s hiding from the police, and Bryden’s best friend, Paige, carries a damaging secret as well. And what about the neighbor who was recently accused but not charged with kidnapping and raping a woman? Lapena excavates everyone’s secrets, exposing what’s really going on in the lives of Bryden’s family and friends. None of it is pretty. Lapena’s timely tale mixes the formidable dangers involved with online true-crime addiction with classic police work in a story that will make you wonder what secrets your family and friends are hiding and who, if anyone, you really know or can trust.

Lapena’s talents shine in this irresistible novel about revenge, betrayal, and secrets.

Pub Date: July 29, 2025

ISBN: 9780593832448

Page Count: 352

Publisher: Pamela Dorman/Viking

Review Posted Online: May 3, 2025

Kirkus Reviews Issue: June 1, 2025

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