The plot is practically nonexistent (the title says it all, almost literally), but Marchetta’s first solo effort—the story of Frankie Ferraro and the three most significant women in his life—is strangely gripping and unexpectedly satisfying for pulpy romance, perhaps thanks to the author’s tight, fast-moving style. Francis Ferraro is born in 1939 on Long Island to traditional Italian parents—Dolly and Sal—who have “made it big” with their contract sewing factory, which Sal hopes to pass on someday to his only son. But Frankie has other plans for himself—his friendship with Dan Colvington, a wealthy, mannered preppie, has given him a glimpse of a way of life he perceives as far superior to his immigrant parents’ plastic-covered-furniture notions of taste. And it’s through Dan that Frankie meets the kind of people he’s been dreaming about—’society people——and even falls in love with a distant relative of Dan’s, a pot-smoking, spoiled, trust-funded blond named Miranda. Frankie doesn’t know about Miranda’s troubled family life, and although she agrees to elope with him and they spend many luminous months in a Greenwich Village hovel (which Miranda finds charmingly rustic), disaster strikes when Frankie learns the truth of Miranda’s past. Years pass, and Frankie marries Annabel, an aristocratic, alluring woman who mothers his first child, Maud. When Annabel flips and kidnaps Maud, Frankie wages war to find the daughter he’s been neglecting for years; although Maud is regained, Annabel is out of the picture for good. After striking out twice, Frankie has given up hope, but his faithful, long-suffering assistant Martha shows him that true love more often than not finds you, rather than the other way around. Marchetta, co-writer of Ivana Trump’s two novels (Free to Love, 1993, etc.), is far better on her own: Frankie and his strong-willed women defy stereotyping in ways that are unusual for the genre, and the overall message seems genuinely heartfelt.
Pub Date: June 1, 1998
ISBN: 0-312-18226-0
Page Count: 416
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1998
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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