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FOREVER IS THE WORST LONG TIME

Relationships, both romantic and platonic, are in flux for all of these characters as they struggle to live without regret.

A tale of love and loss, with some unexpected twists along the way.

When James Hernandez first meets Louisa “Lou” Bell, he instantly falls in love with her. Only trouble is, she’s engaged to his best friend, Rob. For James, a struggling writer and teacher, Lou is the ideal woman—a beautiful and thoughtful poet. As the years go by, James both obsesses over Lou from afar and watches as his own dreams of romance and success slowly peter out. When Lou and Rob’s relationship begins to waver, James can’t help but be there for Lou, attempting to rationalize away his betrayal of his childhood friend. Years after he first laid eyes on her, and with Lou and Rob’s marriage near its end, James finds out that his attraction to Lou is mutual. Pagán’s (Life and Other Near-Death Experiences, 2015, etc.) latest could have been a traditional love story but ends up far more complicated and heart-wrenching. Throughout the text, James addresses an absent “you,” whom he quickly identifies as Lou’s child. Though its format does at first provide more questions than answers, it is clear that he's telling his story—one of love and friendship, heartbreak and betrayal—with urgency. While the younger James and Lou feel slightly hollow, they do develop more complex personalities over time. What starts as merely James' obsession with Lou does eventually blossom into a more nuanced understanding of who she truly is. James begins the novel with a foreboding quote from Lou: “This story ends with loss.” And while this is certainly true of Pagán’s tale, it is thankfully both more complicated and more satisfying than that.

Relationships, both romantic and platonic, are in flux for all of these characters as they struggle to live without regret.

Pub Date: Feb. 7, 2017

ISBN: 978-1-4778-1838-1

Page Count: 284

Publisher: Lake Union Publishing

Review Posted Online: Nov. 6, 2016

Kirkus Reviews Issue: Nov. 15, 2016

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE GREAT ALONE

A tour de force.

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In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.

After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.

A tour de force.

Pub Date: Feb. 6, 2018

ISBN: 978-0-312-57723-0

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Oct. 30, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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