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BRIDGE OF THE SINGLE HAIR

A sharp coming-of-age story that makes history come alive.

Awards & Accolades

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In Pugh’s debut novel, a young woman from California joins the Freedom Riders in 1961, gets arrested and jailed in Mississippi, and learns that not everyone appreciates a hero.

Jeri Turner is a 17-year-old spitfire who lives with her cantankerous grandmother in Los Angeles in the early ’60s. As the Civil Rights movement sweeps the country, Jeri volunteers with the Congress of Racial Equality to fight segregation in the South via nonviolent protests. Upon arriving at the bus depot in Jackson, Miss., her group is assaulted, arrested and sent to Parchman Farm, the maximum-security unit of Mississippi’s State Prison. There, through her cell’s air vent, Jeri meets black inmate Ellis Lee. Their brief interactions impel Jeri to skirt big-picture racism and focus on helping Lee—a cause that she is convinced deserves attention, but one that proves disappointingly futile. Pugh’s evocative novel effectively encapsulates the physical and emotional volatility of the Civil Rights era. A former Freedom Rider, the author illustrates the frustration, anger, fear and idealism of youth in her spirited, sharp-tongued protagonist. Pugh writes without sentiment, yet her honest dialogue and insightful descriptions of people and places evoke the visceral sting of injustice. Her ability to create and hold tension is a consistent strength in this novel, and the novel’s tension parallels the tension generated during that era. Pugh also balances the external turbulence with inter-movement politics and personalities. Each character has his or her personal motivations for joining CORE, the validity of which are questioned and judged as much as any criminal’s—black or white. The result is a multilayered story that shows how prejudice and condemnation exist on many levels, across generations, races, genders and states.

A sharp coming-of-age story that makes history come alive.

Pub Date: Aug. 15, 2011

ISBN: 978-1936782284

Page Count: 239

Publisher: Langdon Street

Review Posted Online: Aug. 3, 2011

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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