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THE BEACON

THE ORIGINAL'S TRILOGY

Romance, edginess, and the paranormal come together in a cohesive and engaging tale.

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A witch regains her magic and reunites with her vampire mate while both are threatened by external forces in Crescent’s (The Last Marine, 2015, etc.) romantic fantasy.

When Lilith Caldwell receives an unsigned note telling her, “The future lies in the past. Go home. It is time,” she eventually succumbs and returns to the childhood house she inherited. This is the same place where, two decades ago, a young Lilith called for her “mate” to save her from her grandmother’s beatings, and vampire-daemon James answered. Present-day Lilith, at her old home, tries to rid herself of a dark entity that seems to be attached to her—one that she’s dubbed “Aimee.” But there are surprises in the house: James is squatting there, and the magical power that she lost, likely due to Aimee, returns. James, a Guardian for the Watchers (a group of fallen angels), normally has a mission to assassinate any being that would threaten the balance of good and evil, but the Watchers demand he protect Lilith instead. The witch and vampire are drawn to each other, but, with various menaces looming, their newfound romance isn’t the only thing at stake. Julius Crowley of the Vampiric Council is searching for Lilith, certain that she’s a threat to all Guardians. Meanwhile, Rowena, the High Priestess of Lilith’s former coven, may have a way to decimate all daemonkind. Crescent’s novel deftly blends elements of erotica and fantasy. The inevitable sex scenes between the two main characters, though explicit, often thrive on tension, as James’ technique is deliberately slow and diligent, and the two take turns as the dominant partner. Nevertheless, the narrative is even stronger as a thriller, as it’s rife with mystery (with over 100 Guardians having gone missing in a month) and a dense back story that draws on multiple religions. Most readers will be unsurprised by the plot turns in the final act, but the confrontations between formidable characters (including the spellcasting Lilith) are thoroughly satisfying. The book also ends with a rousing setup for a planned second volume in a trilogy.

Romance, edginess, and the paranormal come together in a cohesive and engaging tale.

Pub Date: April 1, 2016

ISBN: 978-0-9971872-3-6

Page Count: 362

Publisher: Cara Crescent Books

Review Posted Online: Nov. 5, 2017

Kirkus Reviews Issue: Jan. 15, 2018

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TELL ME LIES

There are unforgettable beauties in this very sexy story.

Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 19, 2018

Kirkus Reviews Issue: April 1, 2018

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THE GOOD HOUSE

Despite getting a little preachy toward the end, Leary has largely achieved a genuinely funny novel about alcoholism.

A supposedly recovering alcoholic real estate agent tells her not-exactly-trustworthy version of life in her small New England town in this tragicomic novel by Leary (Outtakes from a Marriage, 2008, etc.).

Sixty-year-old Hildy Good, a divorced realtor who has lived all her life in Wendover on the Massachusetts North Shore, proudly points to having an ancestor burned at the stake at the Salem witch trials. In fact, her party trick is to do psychic readings using subtle suggestions and observational skills honed by selling homes. At first, the novel seems to center on Hildy’s insights about her Wendover neighbors, particularly her recent client Rebecca McAllister, a high-strung young woman who has moved into a local mansion with her businessman husband and two adopted sons. Hildy witnesses Rebecca having trouble fitting in with other mothers, visiting the local psychiatrist Peter Newbold, who rents an office above Hildy’s, and winning a local horse show on her expensive new mount. Hildy is acerbically funny and insightful about her neighbors; many, like her, are from old families whose wealth has evaporated. She becomes Rebecca’s confidante about the affair Rebecca is having with Peter, whom Hildy helped baby-sit when he was a lonely child. She helps another family who needs to sell their house to afford schooling for their special needs child. She begins an affair with local handyman Frankie Getchell, with whom she had a torrid romance as a teenager. But Hildy, who has recently spent a stint in rehab and joined AA after an intervention by her grown daughters, is not quite the jolly eccentric she appears. There are those glasses of wine she drinks alone at night, those morning headaches and memory lapses that are increasing in frequency. As both Rebecca’s and Hildy’s lives spin out of control, the tone darkens until it approaches tragedy. Throughout, Hildy is original, irresistibly likable and thoroughly untrustworthy.

Despite getting a little preachy toward the end, Leary has largely achieved a genuinely funny novel about alcoholism.

Pub Date: Jan. 15, 2013

ISBN: 978-1-250-01554-9

Page Count: 304

Publisher: St. Martin's

Review Posted Online: Oct. 14, 2012

Kirkus Reviews Issue: Nov. 1, 2012

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