A laudable denouement that may tempt audiences to read this skillfully fused fantasy series again.
In this conclusion to a trilogy, a witch heals and protects her cursed vampire mate, a wanted criminal with the potential to stop a fallen angel bent on destroying humanity.
Faithful witch Katherine O’Hickey believes the goddess has guided her to her mate, Julius Crowley. People on both Earth and the daemon realm of Machon are hunting Julius for various crimes, such as putting “daemon kind back into” humans’ consciousness. But he committed these acts while possessed by a Watcher (fallen angel) for three centuries. Though the Watcher has been exorcised, Julius remains cursed, with a voice often persuading him to kill himself. Kat heals his wounds, primarily self-inflicted, and Julius gradually recollects memories of atrocities the possessed vampire perpetrated. Kat also keeps Julius’ presence hidden from friends, including witches Lilith and Trina, who share the title of the Original, which makes them the rightful leaders of daemon kind. An ancient poem further declares the Original will vanquish the wayward Watcher determined to end humanity—with help from the Knight. Kat is certain her mate is the Knight, if only she can keep him alive long enough. This won’t be an easy feat, because there’s a good chance she’s slowly losing her Magic. For each book in her fantasy trilogy, Crescent (The Shadow, 2017, etc.) has created an engrossing tale that is both part of a whole and a stand-alone. This novel, for example, inserts a previously established villain (Julius) into a fresh romantic storyline. It’s done convincingly, as Kat’s belief in her goddess-given mate is steadfast, despite his behavior sometimes resembling madness. This makes the couple’s anticipated sex profuse with tenderness, though the author doesn’t scale back on titillating passages: “He licked the crease of her leg. Nipped the underside of her breast. Suckled her earlobe.” Still, there’s room for plenty of supernatural action: to thwart the wayward Watcher, humans and daemons alike must battle the fallen angel’s monstrous children, the Nephilim.
A laudable denouement that may tempt audiences to read this skillfully fused fantasy series again.Pub Date: Sept. 19, 2017
ISBN: 978-0-9971872-9-8
Page Count: 348
Publisher: Cara Crescent Books
Review Posted Online: Jan. 15, 2018
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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