by Cara Judea Alhadeff , illustrated by Micaela Amateau Amato ‧ RELEASE DATE: Feb. 6, 2017
A mystical, magical adventure with a serious message that should spur conversations.
Awards & Accolades
Our Verdict
GET IT
In this illustrated fantasy, a boy and his imaginary dog travel via whale, learning about science, history, ecology, and more.
Zazu is a young boy with light-brown skin and curly hair; he has Sephardi and Mizrahi ancestry on his mother’s side, and African American (Barbados and India) on his father’s. Every night, Zazu travels back in time, visiting his ancestors whose diaspora took them all over the world, learning “history that we never hear about in school.” An especially wild escapade begins when Zazu and his imaginary malamute husky named Cocomiso travel by humpback whale from the present (2016) back through time to locations like the Rock of Gibraltar; Ouazzane, Morocco; the Caribbean; Kerala, India; the Persian Gulf; Shiraz, Iran; Babylon in ancient Mesopotamia; Salonika, Greece; and more. Along the way, Zazu has several kinds of encounters: learning Sephardic/Mizrahi history (such as that of the Caribbean-based Sephardic pirates who took revenge against the Spanish for the forced diaspora of Jews and Moors); meeting ancestors and cultural heroes (like pirate Capt. Moses Cohen Henriques Eanes and Jacques Cousteau); gleaning something about each stop’s culture and background; and, crucially, discovering facets of the global environmental crisis, including burning forests, mass extinctions, and plastic in the oceans. Just as important, Zazu is educated about remedies based on sustainability and an empathic understanding of how human actions affect the biosphere. To save Earth, people need (for example) “zero-deforestation agriculture and product chains, ethically shared seeds,” and “proper poop-use.” The last becomes an important symbol for how humans deal with waste. Zazu is given three poops: one kind warning of the dystopia to come; another serving as a guide to the present; and the third representing “poop for a hopeful future.” Though on the surface a children’s story, with a boy protagonist and fantastic exploits, this novel pitches much of its content to adult ears, backed up by an introductory guide, hundreds of notes, a chronology, and a list of additional resources for further study. The intent is frankly didactic; Alhadeff (Viscous Expectations, 2014) hopes that both kids and adults will see “the possibility of reconsidering consequences of one’s habitual daily choices.” Nevertheless, the tone is joyful and hopeful, and Zazu’s travels are often charming, surprising, and fun, especially when he gets to sample local pastimes and typical foods. The author is effective in showing the breadth, depth, and appeal of Jewish and Arab history, language, and culture. Amato (Uncanny Congruencies, 2013, etc.) provides attractive painted illustrations that have a naïve style but capture the book’s wide-ranging flavor. Given the tale’s enjoyable plot, delight in language, and timely message, it’s unfortunate that its credibility suffers from several questionable assertions (such as the danger of vaccines and the increase of amber’s “healing properties” due to deforestation) and some notes that contain unattributed quotations from other sources.
A mystical, magical adventure with a serious message that should spur conversations.Pub Date: Feb. 6, 2017
ISBN: 978-1-63233-118-2
Page Count: 140
Publisher: Eifrig Publishing
Review Posted Online: Aug. 27, 2019
Review Program: Kirkus Indie
Share your opinion of this book
by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
Awards & Accolades
Likes
50
Our Verdict
GET IT
Kirkus Reviews'
Best Books Of 2015
Kirkus Prize
winner
National Book Award Finalist
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
Share your opinion of this book
by Kristin Hannah ‧ RELEASE DATE: Feb. 1, 2008
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
Share your opinion of this book
More About This Book
BOOK TO SCREEN
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.