by Cara Robertson ‧ RELEASE DATE: March 12, 2019
Readers are given every bit of evidence available and will be hard-pressed to reach a verdict; it’s fun trying, though. Fans...
A new history of the trial of the late 19th century: Lizzie Borden (1860-1927), accused of the murder of her father and stepmother.
Robertson, a former Supreme Court clerk and legal adviser at The Hague, amply shows how the wheels of justice often move slowly, by small steps. First, there was an inquest, in which Lizzie testified along with her maid, Bridget Sullivan. Lizzie and her sister Emma were estranged from their father and, especially, their stepmother. They were also jealous of property their father had purchased for his wife’s sister; attempting to mollify them, unsuccessfully, he had deeded another property to them. Accounting for her morning, Lizzie offered differing statements about what she was doing. With Emma visiting out of town, it was only Lizzie who had the opportunity to kill both parents, even hours apart. After the inquest came Lizzie’s arrest and imprisonment, where she exhibited a stoic demeanor that would carry her from the preliminary hearing through the trial. She was self-possessed and unruffled, ready to accept whatever fate dealt her. While she did break down a few times, as when her father’s skull was presented, for the most part she seemed confident and intent on following every testimony. Constantly whispering in the ear of George Robinson, her lawyer, she seemed to treat the trial as an exercise in controlling what the jury was allowed to hear. Robertson presents the story with the thoroughness one expects from an attorney, but she manages to avoid the tedious repetitiveness inherent in a trial by providing close looks at other contemporaneous elements such as Lizzie’s attempt to buy poison, a newly discovered hatchet, and the contradictions of the prosecution’s witnesses.
Readers are given every bit of evidence available and will be hard-pressed to reach a verdict; it’s fun trying, though. Fans of crime novels will love it.Pub Date: March 12, 2019
ISBN: 978-1-5011-6837-6
Page Count: 384
Publisher: Simon & Schuster
Review Posted Online: Dec. 10, 2018
Kirkus Reviews Issue: Jan. 1, 2019
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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