Enlightening and marked by inventive subject matter, intense reflection and stark eloquence.
Luna’s debut novel, about the lives of homesteaders who occupy abandoned tenements in New York’s Lower East Side, is an unvarnished glimpse into a fringe sector of society during the latter part of the 20th century.
The occupants of Thirteen House are NYC’s invisible people, imperfect and damaged, who nevertheless strive to maintain the community and families they’ve created. Philandering husband Steve, who opened the building in the 1980s, professes to love his wife, Anne, and wants to protect her; but Anne becomes increasingly distant and resentful. The product of a middle-class upbringing, she’s suffered four miscarriages and has nothing to show for her years of marriage, especially when she compares her life with her sister’s. Dutch-born Gerrit, a veteran homesteader and Steve’s best friend, is ashamed of his physical deficiencies and past decisions; but he’s consumed with love for young Amelia, the former junkie/runaway whom he rescued from the streets seven years ago. Amelia’s now pregnant—though not with Gerrit’s child—and she’s worried about her future and the looming decisions she must make. Steve’s first love, Cat, lives in neighboring Cat House, which is named for her. Cat’s a legend among the squatters due to her association with certain celebrities when she was young and beautiful. Now she prefers a more insular life with her menagerie of cats, and she and Amelia develop an unlikely rapport. With other members of their squatter family, the five make ends meet with mainstream day jobs, but evenings find them Dumpster diving and salvaging materials to feed themselves and repair their buildings. However, the city’s plan to evict them forces the squatters into action: They set up an eviction watch and enlist a lawyer to argue their case. As their convictions become embroiled with their crumbling private lives, they are swept into actions that determine their fates. Luna creates an array of complex characters caught up in emotions, relationships and situations far from the ordinary as they examine their commitments to their merged family and explore their own ideals and expectations.
Enlightening and marked by inventive subject matter, intense reflection and stark eloquence.Pub Date: Oct. 15, 2013
ISBN: 978-1-935639-64-0
Page Count: 368
Publisher: Tin House
Review Posted Online: Aug. 28, 2013
Kirkus Reviews Issue: Sept. 15, 2013
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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