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THIS MAN’S PILL

REFLECTIONS ON THE 50TH BIRTHDAY OF THE PILL

Knowingly and gloriously boastful, but not nearly as entertaining as Djerassi’s earlier memoir, The Pill, Pygmy Chimps, and...

A memoir of the birth control pill’s monumental impact on its creator’s life, as well as a capsule history of the Pill’s development—and a response to those who blame it for various current social woes.

Djerassi (Chemistry/Stanford), whose laboratory at Syntex in Mexico City synthesized the steroid that later became the first oral contraceptive, clarifies the contributions of numerous other scientists to the birth of the Pill, calling himself its mother, Massachusetts-based biologist Gregory Pincus its father, and Harvard endocrinologist John Rock its metaphorical obstetrician. Having settled questions about the Pill’s ancestry, the author turns to the issue of its impact. He looks at the Pill’s acceptance around the world and raises some interesting what-if-it-hadn’t-been-invented questions, but the heart of the matter is how the oral contraceptive changed Djerassi’s own life. It brought him out of the chemistry lab and turned him into a novelist, poet, playwright, and innovative educator; in addition, Syntex stock options made him a wealthy man, enabling him to become an art collector and patron of the arts. Writing two public policy articles on the Pill convinced him that politics, not science, would shape birth control’s future, and he consequently developed courses bridging science and the humanities at Stanford. What he refers to as “this softening of my scientific persona” led Djerassi to seek a wider public for his views, and he describes his subsequent literary career in loving detail, illustrating his account with examples from his work. An autobiographical poem serves as the book’s abstract (scientific papers have one, so why not this?), and the text is laden with excerpts from his poems, short stories, “science-in-fiction” novels (NO, 1998, etc.) and “science-in-theater” dramas. Djerassi clearly takes great pride in his accomplishments, not least the founding of a thriving artists’ colony near Palo Alto.

Knowingly and gloriously boastful, but not nearly as entertaining as Djerassi’s earlier memoir, The Pill, Pygmy Chimps, and Degas’ Horse (1992).

Pub Date: Oct. 15, 2001

ISBN: 0-19-850872-7

Page Count: 240

Publisher: Oxford Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2001

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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