A memoir of the birth control pill’s monumental impact on its creator’s life, as well as a capsule history of the Pill’s development—and a response to those who blame it for various current social woes.
Djerassi (Chemistry/Stanford), whose laboratory at Syntex in Mexico City synthesized the steroid that later became the first oral contraceptive, clarifies the contributions of numerous other scientists to the birth of the Pill, calling himself its mother, Massachusetts-based biologist Gregory Pincus its father, and Harvard endocrinologist John Rock its metaphorical obstetrician. Having settled questions about the Pill’s ancestry, the author turns to the issue of its impact. He looks at the Pill’s acceptance around the world and raises some interesting what-if-it-hadn’t-been-invented questions, but the heart of the matter is how the oral contraceptive changed Djerassi’s own life. It brought him out of the chemistry lab and turned him into a novelist, poet, playwright, and innovative educator; in addition, Syntex stock options made him a wealthy man, enabling him to become an art collector and patron of the arts. Writing two public policy articles on the Pill convinced him that politics, not science, would shape birth control’s future, and he consequently developed courses bridging science and the humanities at Stanford. What he refers to as “this softening of my scientific persona” led Djerassi to seek a wider public for his views, and he describes his subsequent literary career in loving detail, illustrating his account with examples from his work. An autobiographical poem serves as the book’s abstract (scientific papers have one, so why not this?), and the text is laden with excerpts from his poems, short stories, “science-in-fiction” novels (NO, 1998, etc.) and “science-in-theater” dramas. Djerassi clearly takes great pride in his accomplishments, not least the founding of a thriving artists’ colony near Palo Alto.
Knowingly and gloriously boastful, but not nearly as entertaining as Djerassi’s earlier memoir, The Pill, Pygmy Chimps, and Degas’ Horse (1992).Pub Date: Oct. 15, 2001
ISBN: 0-19-850872-7
Page Count: 240
Publisher: Oxford Univ.
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: July 15, 2001
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Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.
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More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.
In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.
Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.Pub Date: March 10, 2020
ISBN: 978-1-9848-0125-8
Page Count: 352
Publisher: Dial Books
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Categories: GENERAL BIOGRAPHY & MEMOIR | BIOGRAPHY & MEMOIR | SELF-HELP
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The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: July 15, 1998
Categories: GENERAL BIOGRAPHY & MEMOIR | BIOGRAPHY & MEMOIR | PHILOSOPHY & RELIGION | PSYCHOLOGY | HISTORICAL & MILITARY
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