At once cautionary and inspiring; adventure travel at its best.

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THE LAST WILD MEN OF BORNEO

A TRUE STORY OF DEATH AND TREASURE

An expertly wrought tale of exploration, adventure, and mischief by Hoffman (Savage Harvest: A Tale of Cannibals, Colonialism, and Michael Rockefeller’s Tragic Quest for Primitive Art, 2014, etc.), who returns to the South Pacific to tell it.

The “last wild men of Borneo” are not the headhunters or circus freaks of yore but instead two foreigners, one Swiss and one American, who entered into the rainforest and the territory of little-known people and carved out different fortunes for themselves. Bruno Manser arrived in 1983, looking for something outside himself; he had resisted the draft, bounced around among mountains and coastlines, and found his calling fighting the logging companies that were busily clear-cutting the vast old-growth forests of the interior. The companies won, for, as the author writes, “the untouched forests of Borneo are gone.” The question that occupies the author is this: what happened to Manser, who inspired a near-cultlike movement and commanded the loyalty of many admirers in the outside world, “surrounded by sycophants and followers who couldn’t say no to him”? As with his book on Michael Rockefeller, Hoffman is fascinated by the possibilities of someone who simply walked into the jungle and disappeared: did those headhunters get him? Was he murdered by loggers? The other wild man is American art collector Michael Palmieri who, as the anthropologists say, irrevocably changed the culture of the true “wild people” of Borneo by introducing the market to them. For decades, he has bought and sold Dayak and other ethnic art, perhaps against international laws in the trade of cultural goods, even as he has found himself unable to live among his own people. The two stories do not always neatly track, but Hoffman does an excellent job entering the worlds and minds of two men who did not fit in and who carved out their own destinies—if, of course, in other people’s homelands.

At once cautionary and inspiring; adventure travel at its best.

Pub Date: March 6, 2018

ISBN: 978-0-06-243902-4

Page Count: 368

Publisher: Morrow/HarperCollins

Review Posted Online: Dec. 24, 2017

Kirkus Reviews Issue: Jan. 15, 2018

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A succinct, passionate guide to fostering creativity.

HOW TO BE AN ARTIST

A noted critic advises us to dance to the music of art.

Senior art critic at New York Magazine and winner of the 2018 Pulitzer Prize in Criticism, Saltz (Seeing Out Louder, 2009, etc.) became a writer only after a decadeslong battle with “demons who preached defeat.” Hoping to spare others the struggle that he experienced, he offers ebullient, practical, and wise counsel to those who wonder, “How can I be an artist?” and who “take that leap of faith to rise above the cacophony of external messages and internal fears.” In a slim volume profusely illustrated with works by a wide range of artists, Saltz encourages readers to think, work, and see like an artist. He urges would-be artists to hone their power of perception: “Looking hard isn’t just about looking long; it’s about allowing yourself to be rapt.” Looking hard yields rich sources of visual interest and also illuminates “the mysteries of your taste and eye.” The author urges artists to work consistently and early, “within the first two hours of the day,” before “the pesky demons of daily life” exert their negative influence. Thoughtful exercises underscore his assertions. To get readers thinking about genre and convention, for example, Saltz presents illustrations of nudes by artists including Goya, Matisse, Florine Stettheimer, and Manet. “Forget the subject matter,” he writes, “what is each of these paintings actually saying?” One exercise instructs readers to make a simple drawing and then remake it in an entirely different style: Egyptian, Chinese ink-drawing, cave painting, and the styles of other artists, like Keith Haring and Georgia O’Keeffe. Freely experiment with “different sizes, tools, materials, subjects, anything,” he writes. “Don’t resist something if you’re afraid it’s taking you far afield of your usual direction. That’s the wild animal in you, feeding.” Although much of his advice is pertinent to amateur artists, Saltz also rings in on how to navigate the art world, compose an artist’s statement, deal with rejection, find a community of artists, and beat back demons. Above all, he advises, “Work, Work, Work.”

A succinct, passionate guide to fostering creativity.

Pub Date: March 17, 2020

ISBN: 978-0-593-08646-9

Page Count: 144

Publisher: Riverhead

Review Posted Online: Nov. 5, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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A wondrous mix of races, ages, genders, and social classes, and on virtually every page is a surprise.

HUMANS OF NEW YORK

STORIES

Photographer and author Stanton returns with a companion volume to Humans of New York (2013), this one with similarly affecting photographs of New Yorkers but also with some tales from his subjects’ mouths.

Readers of the first volume—and followers of the related site on Facebook and elsewhere—will feel immediately at home. The author has continued to photograph the human zoo: folks out in the streets and in the parks, in moods ranging from parade-happy to deep despair. He includes one running feature—“Today in Microfashion,” which shows images of little children dressed up in various arresting ways. He also provides some juxtapositions, images and/or stories that are related somehow. These range from surprising to forced to barely tolerable. One shows a man with a cat on his head and a woman with a large flowered headpiece, another a construction worker proud of his body and, on the facing page, a man in a wheelchair. The emotions course along the entire continuum of human passion: love, broken love, elation, depression, playfulness, argumentativeness, madness, arrogance, humility, pride, frustration, and confusion. We see varieties of the human costume, as well, from formalwear to homeless-wear. A few celebrities appear, President Barack Obama among them. The “stories” range from single-sentence comments and quips and complaints to more lengthy tales (none longer than a couple of pages). People talk about abusive parents, exes, struggles to succeed, addiction and recovery, dramatic failures, and lifelong happiness. Some deliver minirants (a neuroscientist is especially curmudgeonly), and the children often provide the most (often unintended) humor. One little boy with a fishing pole talks about a monster fish. Toward the end, the images seem to lead us toward hope. But then…a final photograph turns the light out once again.

A wondrous mix of races, ages, genders, and social classes, and on virtually every page is a surprise.

Pub Date: Oct. 13, 2015

ISBN: 978-1-250-05890-4

Page Count: 432

Publisher: St. Martin's

Review Posted Online: July 28, 2015

Kirkus Reviews Issue: Aug. 15, 2015

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