TERRA NOSTRA

History and the dream interpenetrate in this outsized novel which summons into fevered, hallucinatory existence the Spain that conquered the author's native Mexico. It is like a movie by Bunuel unreeling marvels, cruelties, compulsions—a Buneul, who had been given unlimited funds by some mad mogul. Fuentes' labyrinth starts in Paris in 1999, when the Seine is boiling, the Louvre has turned to crystal and the Eiffel Tower to sand. Flagellants parade the streets. On a bridge a man meets a woman with tattooed lips; he falls into the river; the story shifts back to Spain on the eve of the New World's discovery, it is a Spain of blood, torture, religious and sexual obsessions, ruled by El Senor, who hates life (God's greatest sin was the creation of man) and has immured himself in a necropolis. His mother consorts with the cadaver of her husband. Three bastard sons of El Senor's father by different mothers appear and reappear: they are identical, down to their six-toed feet and the red crosses that stain their backs. One is a pilgrim who ventures to the Mexico of human sacrifice, as cruel as Mother Spain. The second is Don Juan, mistaken by nuns for their husband, Christ. The third is an idiot wedded to a flatulent dwarf. A peasant girl, Celestina, reappears as a witch and then as a procuress. Suddenly the scene shifts to the future: Mexico under bombardment by North American Phantoms; then full circle back to a dying Paris. At the end the narrator has an interesting form of sexual intercourse with himself, spawning future generations. History is circular and the past, present and future happen simultaneously. The fusion of myth and reality that occupied Fuentes in A Change of Skin (1967) is carried to obsessive length. Brilliant passages and exciting adventures occur among arid wastes of metaphysical speculation. The prose is incantatory but ultimately exhausting.

Pub Date: Oct. 1, 1976

ISBN: 1564782875

Page Count: 820

Publisher: Farrar, Straus and Giroux

Review Posted Online: Sept. 23, 2011

Kirkus Reviews Issue: Oct. 1, 1976

Did you like this book?

No Comments Yet

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller

THE TATTOOIST OF AUSCHWITZ

An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

Did you like this book?

THE SCREWTAPE LETTERS

These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.

Pub Date: Jan. 1, 1942

ISBN: 0060652934

Page Count: 53

Publisher: Macmillan

Review Posted Online: Oct. 17, 2011

Kirkus Reviews Issue: June 15, 1943

Did you like this book?

No Comments Yet
more