by Carlos Fuentes ‧ RELEASE DATE: Oct. 1, 1976
History and the dream interpenetrate in this outsized novel which summons into fevered, hallucinatory existence the Spain that conquered the author's native Mexico. It is like a movie by Bunuel unreeling marvels, cruelties, compulsions—a Buneul, who had been given unlimited funds by some mad mogul. Fuentes' labyrinth starts in Paris in 1999, when the Seine is boiling, the Louvre has turned to crystal and the Eiffel Tower to sand. Flagellants parade the streets. On a bridge a man meets a woman with tattooed lips; he falls into the river; the story shifts back to Spain on the eve of the New World's discovery, it is a Spain of blood, torture, religious and sexual obsessions, ruled by El Senor, who hates life (God's greatest sin was the creation of man) and has immured himself in a necropolis. His mother consorts with the cadaver of her husband. Three bastard sons of El Senor's father by different mothers appear and reappear: they are identical, down to their six-toed feet and the red crosses that stain their backs. One is a pilgrim who ventures to the Mexico of human sacrifice, as cruel as Mother Spain. The second is Don Juan, mistaken by nuns for their husband, Christ. The third is an idiot wedded to a flatulent dwarf. A peasant girl, Celestina, reappears as a witch and then as a procuress. Suddenly the scene shifts to the future: Mexico under bombardment by North American Phantoms; then full circle back to a dying Paris. At the end the narrator has an interesting form of sexual intercourse with himself, spawning future generations. History is circular and the past, present and future happen simultaneously. The fusion of myth and reality that occupied Fuentes in A Change of Skin (1967) is carried to obsessive length. Brilliant passages and exciting adventures occur among arid wastes of metaphysical speculation. The prose is incantatory but ultimately exhausting.
Pub Date: Oct. 1, 1976
ISBN: 1564782875
Page Count: 820
Publisher: Farrar, Straus and Giroux
Review Posted Online: Sept. 23, 2011
Kirkus Reviews Issue: Oct. 1, 1976
Share your opinion of this book
More by Carlos Fuentes
BOOK REVIEW
by Carlos Fuentes translated by Brendan Riley
BOOK REVIEW
by Carlos Fuentes & translated by Edith Grossman
BOOK REVIEW
by Carlos Fuentes & translated by Edith Grossman
by Georgia Hunter ‧ RELEASE DATE: Feb. 14, 2017
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
Share your opinion of this book
More About This Book
BOOK TO SCREEN
by Heather Morris ‧ RELEASE DATE: Sept. 4, 2018
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
Awards & Accolades
Likes
26
Our Verdict
GET IT
New York Times Bestseller
IndieBound Bestseller
An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
Share your opinion of this book
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.