A short novel that explores gods and saints in the Caribbean during the time of slavery.
At the center of this book by Diaz (Triada de abril, 2006), is Matildo, a priest who prefers rum and collecting to prayer and salvation. With the help of a privateer, Matildo is able to collect things from around the world, including blue pearls, an ancient Egyptian chess set and even a painting by Carvaggio. For Matildo, people and souls are not nearly as important as collectibles. In a niche in his church, he has statues of Catholic saints only, and the reader learns that these are not ordinary statues. With time, the statues come to life and, furthermore, they come to life as African gods. The Virgin of Charity is not only the Virgin of Charity but an African goddess—or she’s the Virgin of Charity with African characteristics. Or better yet, she’s the African goddess in the body of the Virgin. Or what? Even the saints don’t fully understand their identities. Saints or gods or both, when the statues come to life, they’re not happy with the island or their captor Matildo. A little army of saint-gods is funny, particularly with their leader the Virgin, who curses quite a bit more than the Virgin most are familiar with from the Bible. This is not an attack against Catholicism; it’s an observation on the mixed identity of many Caribbean people. Unfortunately, as the villain, Matildo is too simple for these complex creatures. Not only is he a drunk and a bad priest, but he’s a child molester, has yellow teeth and, despite being a priest, has never once in his life prayed. He’s like a comic-book villain whose destiny comes as no real surprise. Aside from this, the story is imaginative and jokes with the saints play well. A brief magical adventure that’s worth the time for readers interested in the complicated nature of Caribbean identity.
Pub Date: Nov. 25, 2011
ISBN: 978-0965011921
Page Count: 124
Publisher: Oca
Review Posted Online: Feb. 13, 2012
Review Program: Kirkus Indie
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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