CARRY THE ONE

Sharply observed and warmly understanding—another fine piece of work from this talented author.

From a 1983 wedding through Election Day 2008, Anshaw (Lucky in the Corner, 2002, etc.) tracks a Chicago family unsettled by a fatal accident.

It’s no accident that the driver of the car that kills 10-year-old Casey Redman is the extremely stoned girlfriend of Nick, brother of the bride. Nick’s growing addiction is one of the subplots in a tender but often somber story centered on his family. His sister Carmen, whose marriage to Matt sets the plot in motion (and doesn’t last long), is a political activist, marginally more acceptable to their deeply conventional mother Loretta than sibling Alice, an artist and lesbian who suffers an agonizing passion for Matt’s sexually conflicted sister Maude. At least Carmen produces a child, while Alice has made the mistake of competing with their father Horace, an egocentric, domineering painter. Olivia, the stoned driver, goes to jail and straightens up; for a while after she gets out, it seems she’ll keep Nick in line, but he loves getting high too much. Nick, Alice and Carmen are all haunted by memories of the dead girl—Alice knows her series of paintings of Casey are her best work but refuses to show them—yet Anshaw doesn’t suggest the accident fundamentally changed the arcs of their lives; her understanding of human fallibility and existential contingency is too subtle for that kind of artistic determinism. Instead, she quietly follows her characters through the usual stuff of growing up and growing older: marriages, breakups, material success and spiritual uncertainty. Not since Roxana Robinson’s Cost (2008) has a novel so bluntly depicted the impact of addiction on a family, but that isn’t the whole story here. Loving but judgmental Carmen and skittish but fundamentally sound Alice have their own odysseys to pursue; Carmen’s evolving relationships with Gabe, son from her first marriage, and with Rob, the second husband who’s not at all what she thought she wanted, are particularly sensitively drawn.

Sharply observed and warmly understanding—another fine piece of work from this talented author.

Pub Date: March 6, 2012

ISBN: 978-1-4516-3688-8

Page Count: 288

Publisher: Simon & Schuster

Review Posted Online: Jan. 22, 2012

Kirkus Reviews Issue: Feb. 1, 2012

THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

LOVE AND OTHER WORDS

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Eleven years ago, he broke her heart. But he doesn’t know why she never forgave him.

Toggling between past and present, two love stories unfold simultaneously. In the first, Macy Sorensen meets and falls in love with the boy next door, Elliot Petropoulos, in the closet of her dad’s vacation home, where they hide out to discuss their favorite books. In the second, Macy is working as a doctor and engaged to a single father, and she hasn’t spoken to Elliot since their breakup. But a chance encounter forces her to confront the truth: what happened to make Macy stop speaking to Elliot? Ultimately, they’re separated not by time or physical remoteness but by emotional distance—Elliot and Macy always kept their relationship casual because they went to different schools. And as a teen, Macy has more to worry about than which girl Elliot is taking to the prom. After losing her mother at a young age, Macy is navigating her teenage years without a female role model, relying on the time-stamped notes her mother left in her father’s care for guidance. In the present day, Macy’s father is dead as well. She throws herself into her work and rarely comes up for air, not even to plan her upcoming wedding. Since Macy is still living with her fiance while grappling with her feelings for Elliot, the flashbacks offer steamy moments, tender revelations, and sweetly awkward confessions while Macy makes peace with her past and decides her future.

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Pub Date: April 10, 2018

ISBN: 978-1-5011-2801-1

Page Count: 416

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

Close Quickview