A pleasantly ambiguous psychological-suspense novel from Anshaw (the award-winning Aquamarine, 1991), who shows us once again that a good story can be told as much by what it holds back as by what it offers. When Christine Snow's girlfriend Taylor disappears without a trace one morning, Christine is at first reluctant to panic. This has more to do with Christine than with Taylor: Like all good psychotherapists, Christine has been trained to let problems reveal themselves slowly and with a minimum of overt speculation, and this emotional reticence will itself provide the best clue to Taylor's fate. ``Making love with women,'' Christine says, ``is the easiest thing for me to do with them. Everything else leaps so quickly into difficult and complicated.'' This attitude has assured her many friends but few mates over the years, and for a long time she pretends not to mind Taylor's absence. Eventually, though, she realizes that her independence is less complete than she imagines and, once she sees this, she takes on the task of finding Taylor. This finally carries Christine as far as Morocco, where Taylor had lived for some time under the influence of a strange religious visionary and the motley coterie that encircled her. Taylor's story, like all good mysteries, becomes murkier and more troubling as it proceeds, and Christine eventually discovers that she is looking for quite a different woman than the one she thought she knew—which, in turn, suggests that a similar reorientation of Christine's own personality may be in store. By the time we arrive at the last chapter, we find that the loose ends and ambiguities are beside the point, and it isn't troubling to find them unresolved. The real skill of Anshaw's narrative is that it makes the reader understand and appreciate Christine's changing perceptions at every stage of the action. Clever, well-crafted, and deft: Anshaw draws her characters with an unsparing hand that is guided by a remarkably sympathetic eye. (Author tour)
Pub Date: Oct. 7, 1996
ISBN: 0-395-69131-1
Page Count: 224
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1996
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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