First fiction that explores the simmering rage passed through four generations of emotionally stunted southern ``ladies''—an unusually confident and original debut that unveils the spiritual anesthetization behind the gracious feminine smile. When Sarah Grissom was seven, her older cousins led her to the forbidden attic of Grandmother Northgate's old house in East Texas to introduce her to the scary ghost they claimed resided there. Frightened but excited, Sarah never expected that, while her cousins played at shrieks and catcalls, she herself would actually experience the presence of a bone-chilling, anguished, unearthly presence. Sarah's awareness of the phantom continues to haunt her into adulthood, and leads to an exploration of the life of her genteel foremother, Eugenia Princess Burnham, who emigrated to Texas from Mississippi after the Civil War, and whose human sensibilities had been as deliberately and systematically crippled as an aristocratic Chinese woman's feet. Brought up to deny her own passion, curiosity, and sexuality—forbidden even to speak the words that referred to their existence—Eugenia and her female progeny learned to communicate with silence and innuendo, to smile when their husbands praised their purity, lightly to change the subject when the tiniest uncomfortable element entered any conversation. Such artificiality (exaggerated here, perhaps, for effect) leads to increasingly neurotic practices: Grandmother Princess Laura Northgate has her virginity taken surgically on her wedding day and gives birth by Cesarean section in an attempt to control her body's functions. Eventually, though, change invades even East Texas: daughter Grovana Princess manages to flee, opening a door for her own daughter, Sarah, to outrun her heritage. Sarah does escape, but many years later—strengthened by education and travel and having weathered two suicides, a teenage pregnancy, and a mental breakdown in her own generation of females, she returns to free, in the face of her cousins' timid skepticism, the spirit of the Northgates from bondage. A nearly perfect first novel—courageous, revelatory, and, in the end, deeply moving.
Pub Date: Oct. 1, 1992
ISBN: 0-945575-65-3
Page Count: 336
Publisher: Algonquin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1992
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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