Next book

LEDOYT

Emshwiller, known for her fantasy fictions (The Start of the End of It All, 1991, etc.), changes course here, heading due west with a stirring account of a family's life in California at the beginning of this century. Lotti, now 14, was 6 years old when her single, secretive mother, Oriana, hired Beal Ledoyt to work on ditches around their property. One thing quickly led to another: Oriana and Ledoyt married and were so happy in each other's company that Lotti might as well have disappeared. Then came more babies, more proof to Lotti that they didn't need her. It wasn't that anybody actually treated her badly. Her stepfather adopted her and saved her life more than once. He taught her about horses, and he gave her the journal that she uses for drawing and writing down everything that's important to her. But she still won't forgive him for his crime: marrying her mother and changing things when he came into their life. So Lotti works on a plan for revenge, a plan that will finally make everyone focus on her. But this isn't only Lotti's story. Oriana and Ledoyttwo characters who transcend easy sterotypes of the lady and the cowboytell us their versions as well. Wiry, bucktoothed Ledoyt with his scarred hands and gentle heart is especially memorable, and the depths of Oriana's love for him are utterly believable. That's why when Lotti puts her final plan into action and unleashes a series of tragedies, it's hard to forgive herharder apparently for the reader than for members of her own family, who repeatedly assure her she's not to blame. This seems a false note in a novel that's otherwise a strong and deeply felt ballad of the Old West. A rich, old-fashioned family storyso real, for the most part, that you can almost smell the horses.

Pub Date: Oct. 2, 1995

ISBN: 1-56279-081-1

Page Count: 232

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1995

Categories:
Next book

MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

Categories:
Next book

THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

Categories:
Close Quickview