Offers exquisite turns of phrase, but scholarly and without much fictional pulse.
This first novel from Gilligan (Humanities and Applied Psychology/New York Univ.; The Birth of Pleasure, 2002, etc.) is an erudite but lukewarm romance between an architect, Kyra, and an opera director, Andreas.
Kyra and Andreas are both brilliant, both recovering from the loss of a spouse. After Kyra’s husband was shot to death, largely due to her half-brother’s betrayal, during political upheavals on her native Cyprus, she went on to establish herself as an architect, teaching at Harvard and designing the “Carthage Project” on Nashawena Island near Boston. Andreas’s wife was arrested in Hungary for her political resistance and never seen again. Andreas, who escaped the country with their small son, assumes she was killed. He directs opera. The attraction between Kyra and Andreas is evident early on, but their love affair evolves slowly, their intellectual collaborations and conversations laden with sensual undertones that take awfully long to become overt despite neck massages and arms brushing shoulders. Finally, while together on Nashawena, where Kyra is experimenting with a new urban design and Andreas is staging Tosca, their passion blooms along with their creative and intellectual productions. But when Andreas announces he is leaving for a directing job abroad, Kyra feels betrayed. Devastated, she slits her wrists. In recovery, Kyra begins to see a therapist, Greta. Kyra challenges Greta to change the parameters of the traditional therapist-patient relationship by opening herself up in degrees to Kyra. When Andreas reappears and tells Kyra, “My soul lives in the vicinity of you,” Kyra gives him another chance. Both still smart from their losses, but each finds redemption through love—it’s a kind of intellectually charged happily every after. Gilligan’s musings on architecture, music, spirituality and art, particularly of the painting “The Kiss,” are insightful and provocative. But the plot plods and the lovers lollygag with their noble suffering ad nausea.
Offers exquisite turns of phrase, but scholarly and without much fictional pulse.Pub Date: Jan. 1, 2008
ISBN: 978-1-4000-6175-4
Page Count: 256
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK REVIEW
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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