A stunning novel about queer love, womanhood, and personal and political revolution.
In the shadow of a violent dictatorship, five queer women find the courage and strength to live their truth.
De Robertis’ (The Gods of Tango, 2015, etc.) latest novel starts in 1977 with the Uruguayan military dictatorship suppressing dissidents and homosexuals through rape, jailing, and disappearing. Calling themselves cantoras, or women who sing, five queer women begin to carve out a place for themselves in the world: Flaca, Romina, Anita “La Venus,” Malena, and Paz. Brought together by Flaca, the women take a weeklong trip to Cabo Polonio, a sleepy, secluded coastal village, where they find a haven among horrors. On the beach, the women laugh late into the night, make love unabashedly, and share secrets over whiskey and yerba maté. The friends become family. On their first trip, Paz, the youngest, begins to discover an alternative way of being: “A secret way to be a woman. A way that blasted things apart, that melted the map of reality.” Rich and luscious, De Robertis’ writing feels like a living thing, lapping over the reader like the ocean. Carefully crafted and expertly observed, each sentence is an elegant gift: “Stars clamored around a meager slice of moon,” and “she was keenly aware of [her] movements...as if a thread stretched between them, a spider’s thread, glimmering and inexhaustibly strong.” Over the course of three decades, the women fall in and out of love; have brushes with the brutal regime; defy familial and societal expectations; and, most of all, unapologetically live their lives as cantoras. At one point, the unhappily married La Venus wonders: “Why did life put so much inside a woman and then keep her confined to smallness?” De Robertis’ novel allows these women to break those confines and find greatness in themselves and each other.
A stunning novel about queer love, womanhood, and personal and political revolution.Pub Date: Sept. 3, 2019
ISBN: 978-0-525-52169-3
Page Count: 336
Publisher: Knopf
Review Posted Online: June 16, 2019
Kirkus Reviews Issue: July 1, 2019
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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