Anaxandra’s adventures begin as a small child, when she is taken hostage from her father, the king of a tiny unnamed island in the Aegean Sea. She becomes the companion of the crippled princess Callisto of Siphnos. When that island is sacked, Anaxandra alone is left alive and she pretends to be Callisto in the eyes of Menelaus, who takes her back to Sparta. It is there that the girl, now 12, accomplished with a slingshot, and resourceful in many ways, meets Menelaus’s queen, Helen. In Cooney’s telling, Helen is an exquisite monster: so beautiful that people die for her; but cold, careless, and utterly self-involved. When the besotted Trojan prince Paris takes Helen off to Troy, Anaxandra assumes another identity, to protect her own life and that of Helen’s youngest child. The gods and goddesses are very real to Anaxandra, whose prayers and beseeching are answered only occasionally. The full horrors of war and the brutality of even the noblest of lives in ancient Greece (although the land now known as Greece was many independent principalities then) are related in Anaxandra’s perceptive voice, in a heightened language that seems natural for her. Characters from the Iliad, the Odyssey, and much of Greek tragedy make appearances in Anaxandra’s tale, one that is as vivid as her red-gold hair. Teen readers will be mesmerized. (afterword) (Fiction. 12+)
Pub Date: June 11, 2002
ISBN: 0-385-72945-6
Page Count: 192
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
Certain to provoke controversy and difficult to see as a book for children, who could easily miss the painful point.
After Hitler appoints Bruno’s father commandant of Auschwitz, Bruno (nine) is unhappy with his new surroundings compared to the luxury of his home in Berlin.
The literal-minded Bruno, with amazingly little political and social awareness, never gains comprehension of the prisoners (all in “striped pajamas”) or the malignant nature of the death camp. He overcomes loneliness and isolation only when he discovers another boy, Shmuel, on the other side of the camp’s fence. For months, the two meet, becoming secret best friends even though they can never play together. Although Bruno’s family corrects him, he childishly calls the camp “Out-With” and the Fuhrer “Fury.” As a literary device, it could be said to be credibly rooted in Bruno’s consistent, guileless characterization, though it’s difficult to believe in reality. The tragic story’s point of view is unique: the corrosive effect of brutality on Nazi family life as seen through the eyes of a naïf. Some will believe that the fable form, in which the illogical may serve the objective of moral instruction, succeeds in Boyne’s narrative; others will believe it was the wrong choice.
Certain to provoke controversy and difficult to see as a book for children, who could easily miss the painful point. (Fiction. 12-14)Pub Date: Sept. 12, 2006
ISBN: 0-385-75106-0
Page Count: 224
Publisher: David Fickling/Random
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2006
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
Heartbreaking, historical, and a little bit hopeful.
January 1945: as Russians advance through East Prussia, four teens’ lives converge in hopes of escape.
Returning to the successful formula of her highly lauded debut, Between Shades of Gray (2011), Sepetys combines research (described in extensive backmatter) with well-crafted fiction to bring to life another little-known story: the sinking (from Soviet torpedoes) of the German ship Wilhelm Gustloff. Told in four alternating voices—Lithuanian nurse Joana, Polish Emilia, Prussian forger Florian, and German soldier Alfred—with often contemporary cadences, this stints on neither history nor fiction. The three sympathetic refugees and their motley companions (especially an orphaned boy and an elderly shoemaker) make it clear that while the Gustloff was a German ship full of German civilians and soldiers during World War II, its sinking was still a tragedy. Only Alfred, stationed on the Gustloff, lacks sympathy; almost a caricature, he is self-delusional, unlikable, a Hitler worshiper. As a vehicle for exposition, however, and a reminder of Germany’s role in the war, he serves an invaluable purpose that almost makes up for the mustache-twirling quality of his petty villainy. The inevitability of the ending (including the loss of several characters) doesn’t change its poignancy, and the short chapters and slowly revealed back stories for each character guarantee the pages keep turning.
Heartbreaking, historical, and a little bit hopeful. (author’s note, research and sources, maps) (Historical fiction. 12-16)Pub Date: Feb. 2, 2016
ISBN: 978-0-399-16030-1
Page Count: 400
Publisher: Philomel
Review Posted Online: Nov. 2, 2015
Kirkus Reviews Issue: Nov. 15, 2015
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