New Age philosophy deepens this touching but sometimes mysterious coming-of-age story.
Within a framework of New Age interconnectedness, a young woman grows beyond her blighted childhood.
This is the third installment of a thought-provoking New Age fiction series, an exploration of love, loss, enlightenment, and self-discovery written by self-described “intuitive medium” Zani. Readers new to the series will find it more rewarding (and less confusing) to start with volumes 1 and 2 (Piper, Once and Again, 2016, and Waiting for Grace, 2020). The author assumes familiarity with the series’ multiple characters and their backstories, among them Eli Cranston, a lawyer-turned-psychotherapist, father to manipulative, hate-filled Grace and adoptive daughter, Hope, the 18-year-old title character here; and Piper Corcoran, who runs an intuition development group and an equine therapy program. (Horses—their personalities, care, and importance to the humans in their lives—are a significant and well-integrated presence in the story.) Jumping from one character to another in the initial chapters, the narrative suggests, but never fully clarifies all that has gone before. The prologue, which for some time appears to be an unrelated, stand-alone vignette, describes a Marine sergeant under fire in Iraq as he tries to save a grievously wounded “grunt from podunk Massachusetts.” Chapter 1 shifts to Hope, targeted by her sister, Grace (broadly written as an unredeemable mean girl for reasons presumably to be found in Book 2). Chapter 2 introduces Eli, grieving over his mentor and father figure, a Holocaust survivor. Chapters 3 and 4 belong to Piper, returning to her farm in Massachusetts, alluding to a lost love in her past 19th-century life, not explained here. Other characters remain mysteries. How did Piper’s husband, John, save “her life on many levels”? Why did handyman Clem need to find “a place to call home without the weight of the past around his neck”? The narrative gains necessary immediacy when it returns to and sustains Hope’s story—her attempt to have a relationship with her biological mother, a one-dimensional, manipulative addict; her growth toward independence and self-realization; and her moving acceptance of love as a universal continuum.
New Age philosophy deepens this touching but sometimes mysterious coming-of-age story.Pub Date: July 22, 2025
ISBN: 9781954332546
Page Count: 259
Publisher: Wyatt-MacKenzie Publishing
Review Posted Online: June 19, 2025
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Brilliant, affecting work from one of contemporary literature’s masters.
A phone call from her past disrupts the tenuously reconstructed life of a concert pianist turned farmer’s wife.
We know from the beginning that Livia Cable is the battered survivor of her brother Cyrus’ death by suicide, a devastating romance, and a career-ending injury. Only 11 when Cyrus stepped in front of a train, she was already marked out as different in her rural Tennessee hometown by her extraordinary musical ability. The siblings had huddled together against their angry mother’s frequent beatings, and Livia still feels abandoned by Cyrus years later, when she picks up the phone to hear the voice of Sigurd, the fiery labor organizer she loved and lost to “the revolution” while on scholarship at the Indiana University School of Music. Now married to kind, steady childhood friend Charlie, Livia looks back on her affair with Sigurd as she struggles to deal with the recent death of her mother, a compulsive hoarder who left a house stuffed with junk to be disposed of and bitter memories that haven’t faded over time. Kingsolver skillfully juggles the two time frames to unravel Livia’s complicated feelings about the life she lost when her right hand was crushed and the life she has now as a country piano teacher. A partita, she explains to Sigurd early on, “is a composition made of a lot of parts with a lot of different moods…the artist’s work is to make them all add up to something that feels whole.” That’s precisely what Kingsolver does in this beautifully paced and judged narrative, which builds to revelations uncovered amid the piles of trash in Livia’s childhood home about the reasons for Cyrus’ suicide (clearly foreshadowed) and their mother’s rage (startling and heartbreaking). A fierce belief that great art is for everyone joins Kingsolver’s familiar preoccupations with class distinctions, social injustice, and the complex bonds of family and community in a tender denouement.
Brilliant, affecting work from one of contemporary literature’s masters.Pub Date: Oct. 6, 2026
ISBN: 9780063577541
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
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