An unsettling and haunting tale of two heroines that lingers after the telling.
Scent memories, momentary visions, and spiritual entities that travel through time and space mingle in this fictional account of reincarnation.
Zani, who defines herself on her website as an “intuitive medium,” makes her debut with a mystical, romantic fantasy that breaches the line separating life and death. Moving back and forth between the story of her present-day heroine, Piper, and that of a 19th-century woman named Piper, Zani weaves two intersecting tales. For the first seven years of her life, Piper had an “imaginary” friend, Vander. But he vanished, along with her memory of him. What remains is her curious affinity for the letter V. A precocious child, she grows into an independent young woman who has difficulty forming close relationships. She experiences “scent-aches,” not quite a memory but rather the actual hint of an aroma that is triggered by something other than her physical surroundings. Her greatest passion involves her horses, and she has a fierce need for alone time. She is sometimes a rather self-centered, irritating character. As Zani tracks the events in Piper’s life, she intersperses chapters revolving around the earlier Piper, a sweet girl who tragically lost her mother when she was still a child and who grew to be a loving, and beloved, daughter, wife, and mother. These visits to the past story slowly reveal to the reader the sources of the smell-aches, clues that remain hidden to present-day Piper for most of the novel. When Zani’s chapters switch to the 1800s, her phrasing becomes archaic: “when she was in her twelfth summer, Vander his fourteenth….” The language feels a bit stilted and anachronistic. And although the author’s prose is reasonably smooth, her paragraphs frequently are so long that one is tempted to just move on. They would be more forceful if they were broken into two or three bites. While the suspension of disbelief is required to become fully engaged in this narrative about a love that reaches across the great divide, the reward is the guilty pleasure of gradually unraveling the puzzle that defines a raven-haired beauty who struggles with the feeling that she is somehow “different.”
An unsettling and haunting tale of two heroines that lingers after the telling.Pub Date: July 11, 2016
ISBN: 978-1-942545-11-8
Page Count: 262
Publisher: Wyatt-MacKenzie Publishing
Review Posted Online: April 26, 2016
Kirkus Reviews Issue: June 1, 2016
Review Program: Kirkus Indie
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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