An unsettling and haunting tale of two heroines that lingers after the telling.
Scent memories, momentary visions, and spiritual entities that travel through time and space mingle in this fictional account of reincarnation.
Zani, who defines herself on her website as an “intuitive medium,” makes her debut with a mystical, romantic fantasy that breaches the line separating life and death. Moving back and forth between the story of her present-day heroine, Piper, and that of a 19th-century woman named Piper, Zani weaves two intersecting tales. For the first seven years of her life, Piper had an “imaginary” friend, Vander. But he vanished, along with her memory of him. What remains is her curious affinity for the letter V. A precocious child, she grows into an independent young woman who has difficulty forming close relationships. She experiences “scent-aches,” not quite a memory but rather the actual hint of an aroma that is triggered by something other than her physical surroundings. Her greatest passion involves her horses, and she has a fierce need for alone time. She is sometimes a rather self-centered, irritating character. As Zani tracks the events in Piper’s life, she intersperses chapters revolving around the earlier Piper, a sweet girl who tragically lost her mother when she was still a child and who grew to be a loving, and beloved, daughter, wife, and mother. These visits to the past story slowly reveal to the reader the sources of the smell-aches, clues that remain hidden to present-day Piper for most of the novel. When Zani’s chapters switch to the 1800s, her phrasing becomes archaic: “when she was in her twelfth summer, Vander his fourteenth….” The language feels a bit stilted and anachronistic. And although the author’s prose is reasonably smooth, her paragraphs frequently are so long that one is tempted to just move on. They would be more forceful if they were broken into two or three bites. While the suspension of disbelief is required to become fully engaged in this narrative about a love that reaches across the great divide, the reward is the guilty pleasure of gradually unraveling the puzzle that defines a raven-haired beauty who struggles with the feeling that she is somehow “different.”
An unsettling and haunting tale of two heroines that lingers after the telling.Pub Date: July 11, 2016
ISBN: 978-1-942545-11-8
Page Count: 262
Publisher: Wyatt-MacKenzie Publishing
Review Posted Online: April 26, 2016
Kirkus Reviews Issue: June 1, 2016
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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