The late Jacqueline Kennedy Onassis speaks candidly about life in Camelot.
Just before publication of this collection of interviews with journalist/historian Arthur Schlesinger, conducted in 1964, a few leaked bits of conversation revealed that Jacqueline was content to leave the politics to her husband. This led to Kennedy’s being lambasted as a lightweight at best, a betrayer of feminism at worst. The interviews, gathered in transcribed form with elegant introductions by first daughter Caroline Kennedy and historian Michael Beschloss, indicate that she was anything but a lightweight, even if, as Beschloss wryly notes, “well-bred young women of Jacqueline’s generation were not encouraged to sound like intellectuals.” Jackie preceded the generation of feminists that would soon arise (and then became a role model, speaking frankly in Ms. and other movement publications). But the real defense comes through her words here, gathered only a few months after JFK’s assassination. They reveal a nimble if worried mind. Personally, JFK wasn’t the easiest man to live with, due in part to the sour stomach born of nerves and “those awful years campaigning…living on a milkshake and a hot dog,” as well as the terrible general health that he bore stoically in public but that caused him private agony. Jackie is shrewd in her assessments about people: Stewart Udall rose to head the Interior Department, she notes, because he delivered Arizona to JFK in the 1960 election—but then emerged as a real leader. She also provides on-the-spot commentary about unfolding world events, such as the ever-more-urgent specter of Vietnam and a divided Germany (the only ambassadors JFK “really disliked” were those from Germany and Pakistan).
All politics is local—and personal. These interviews are invaluable in providing a fly-on-the-wall view of life in the Kennedy White House—and there has never been so intimate a view from a First Lady’s perspective.Pub Date: Sept. 14, 2011
ISBN: 978-1-4013-2425-4
Page Count: 400
Publisher: Hyperion
Review Posted Online: Oct. 20, 2011
Kirkus Reviews Issue: Nov. 15, 2011
Categories: GENERAL HISTORY | UNITED STATES | HISTORY
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This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 6, 2015
Kirkus Reviews Issue: July 1, 2015
Categories: BIOGRAPHY & MEMOIR | UNITED STATES | HISTORY | CURRENT EVENTS & SOCIAL ISSUES | ETHNICITY & RACE
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For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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