A female grad student's coming-of-age tale, and a work so charming, wise, and self-assured it's hard to believe it's a first novel—by a Massachusetts author discovered at a Bennington writers' workshop. Josie Trask has been a student in English lit long enough to have married, given birth to a son, and mothered him for three years—all without yet having finished her dissertation. Perhaps it's her dissertation's subject that fails to motivate: a virtually unknown 19th-century woman poet from Josie's hometown of Chester, Mass., whose work might not be worth resurrecting. Then again, the irritating success of Josie's husband, Peter, might be the real problem. Having never experienced writer's block, Peter has sailed through his teaching gigs on the popular culture of the '60s, has been awarded a book contract for his own dissertation (From the Valley of the Dolls to the Ballad of the Green Berets), and is now planning to spend the summer in Berkeley drilling college students on the significance of '60s icons. Josie expects to accompany him until she's offered a summer job as researcher for glitzy, lowbrow British biographer Fiona Jones, who's doing a quick posthumous bio of Jackie Onassis. Unable to resist the $10,000, Josie takes the job and devotes herself to investigating JFK's love affairs and Jackie's terrible sorrows—only half-consciously suspecting that Peter may be doing his own philandering in Berkeley all the while. As the weeks pass, Jackie's triumphs and travails as a wife and mother begin eerily to resemble Josie's own—but happily, by the end of the summer, both feisty heroines manage to triumph in the face of adversity by winning the respect of their husbands, forging forward in their careers, and lavishing affection on their lucky kids. As first novels go, this one's a plum.

Pub Date: Feb. 1, 1997

ISBN: 0-684-83077-9

Page Count: 288

Publisher: Scribner

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 1, 1996

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An enjoyable, cozy novel that touches on tough topics.


A group of strangers who live near each other in London become fast friends after writing their deepest secrets in a shared notebook.

Julian Jessop, a septuagenarian artist, is bone-crushingly lonely when he starts “The Authenticity Project”—as he titles a slim green notebook—and begins its first handwritten entry questioning how well people know each other in his tiny corner of London. After 15 years on his own mourning the loss of his beloved wife, he begins the project with the aim that whoever finds the little volume when he leaves it in a cafe will share their true self with their own entry and then pass the volume on to a stranger. The second person to share their inner selves in the notebook’s pages is Monica, 37, owner of a failing cafe and a former corporate lawyer who desperately wants to have a baby. From there the story unfolds, as the volume travels to Thailand and back to London, seemingly destined to fall only into the hands of people—an alcoholic drug addict, an Australian tourist, a social media influencer/new mother, etc.—who already live clustered together geographically. This is a glossy tale where difficulties and addictions appear and are overcome, where lies are told and then forgiven, where love is sought and found, and where truths, once spoken, can set you free. Secondary characters, including an interracial gay couple, appear with their own nuanced parts in the story. The message is strong, urging readers to get off their smartphones and social media and live in the real, authentic world—no chain stores or brands allowed here—making friends and forming a real-life community and support network. And is that really a bad thing?

An enjoyable, cozy novel that touches on tough topics.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9848-7861-8

Page Count: 368

Publisher: Pamela Dorman/Viking

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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A strict report, worthy of sympathy.


A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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