Another blast of proletarian rage from Chute, but lacking, regrettably, the solid characterizations that anchored Merry Men (1994) and The Beans of Egypt, Maine (1985). Generally considered a left-wing writer, Chute here declares herself “no-wing” [Acknowledgments] as she depicts the odyssey of a putative rightist from Maine whose heroes are Latin American guerrillas. Robert Drummond has assassinated US Senator Kip Davies in a Boston hotel; four fellow members of the Snow Men militia are dead, but the badly wounded Robert finds his way to the Beacon Hill home of another senator, liberal Jerry Creighton. He’s sheltered there by the Kristy Creighton, the senator’s daughter, and her mother, Connie, both of whom find the militia man as sexually irresistible as he is politically disturbing. The plot (never Chute’s strong point) consists basically of Robert’s convalescence over a month or so as he enlightens the privileged Creighton women about the ugly realities of American life and as the FBI closes in. In the past, Chute’s fiery denunciations of corporate capitalism’s impact on poor people have worked in tandem with strong fictional portraits. Here, the upper-middle-class Kristy and Connie are embarrassing clichÇs with insufficiently delineated inner lives; the spiritual crisis that has brought Kristy home from her job as chair of a women’s studies program, for example, is alluded to but never explained. Robert is a fuller character, and Chute commendably refuses to clean up his messy opinions (dead-on observations about the way politicians of all parties serve big business mixed with creepy diatribes against “this fuckin” socialist setup” and “arrogant bitch broad” feminists). But the novel’s politics are as incoherent as Drummond’s—making for an aesthetic and, arguably, a moral failure. Chute’s blunt class-consciousness and energetic prose are as bracing as ever. Let’s hope that the longer work-in-progress she refers to in the Author’s Note (—the ‘true story” of the ‘Militia Movement” in New England as I have experienced it—) makes better use of them.
Pub Date: May 1, 1999
ISBN: 0-15-100390-4
Page Count: 256
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1999
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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