Another blast of proletarian rage from Chute, but lacking, regrettably, the solid characterizations that anchored Merry Men (1994) and The Beans of Egypt, Maine (1985). Generally considered a left-wing writer, Chute here declares herself “no-wing” [Acknowledgments] as she depicts the odyssey of a putative rightist from Maine whose heroes are Latin American guerrillas. Robert Drummond has assassinated US Senator Kip Davies in a Boston hotel; four fellow members of the Snow Men militia are dead, but the badly wounded Robert finds his way to the Beacon Hill home of another senator, liberal Jerry Creighton. He’s sheltered there by the Kristy Creighton, the senator’s daughter, and her mother, Connie, both of whom find the militia man as sexually irresistible as he is politically disturbing. The plot (never Chute’s strong point) consists basically of Robert’s convalescence over a month or so as he enlightens the privileged Creighton women about the ugly realities of American life and as the FBI closes in. In the past, Chute’s fiery denunciations of corporate capitalism’s impact on poor people have worked in tandem with strong fictional portraits. Here, the upper-middle-class Kristy and Connie are embarrassing clichÇs with insufficiently delineated inner lives; the spiritual crisis that has brought Kristy home from her job as chair of a women’s studies program, for example, is alluded to but never explained. Robert is a fuller character, and Chute commendably refuses to clean up his messy opinions (dead-on observations about the way politicians of all parties serve big business mixed with creepy diatribes against “this fuckin” socialist setup” and “arrogant bitch broad” feminists). But the novel’s politics are as incoherent as Drummond’s—making for an aesthetic and, arguably, a moral failure. Chute’s blunt class-consciousness and energetic prose are as bracing as ever. Let’s hope that the longer work-in-progress she refers to in the Author’s Note (—the ‘true story” of the ‘Militia Movement” in New England as I have experienced it—) makes better use of them.
Pub Date: May 1, 1999
ISBN: 0-15-100390-4
Page Count: 256
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1999
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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