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THE WHITE RAVEN

A heartfelt fantasy tale with a spirited plot.

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Magic and suspense abound in this moving debut fantasy novel about how far a witch will go to help a friend. 

Aven Dovenelle is new to Salem, Massachusetts, where she sets up a shop for potions and charms. Although most of Salem’s other witches resent her, she’s found a true friend in Josephine “Jo” Riddle and her daughter, Sylvia. Jo is a fellow witch who does vision walks, and Aven opens up to her, revealing for the first time that she’s been cursed to live one life after another, with no relief. A mysterious white raven often appears in her peripheral vision, but never long enough for her to find out why. With Jo’s help, she discovers the reasons why she was cursed and why the raven has been following her. The weight of the witchcraft in this story is tempered by the introduction of handsome Cal Jacobs, a down-to-earth plumber who ends up on a date with Aven. He may not initially believe that she’s a witch, but he soon has no choice, as a series of dramatic events unfold, each one testing Aven’s abilities further. It will take an intense amount of “magick” to help her—and possibly the ultimate sacrifice. Aven is a delightful protagonist who’s as funny as she is powerful (at one point, for example, she describes her personal style as “the Garage Sale Queen look”), and her wit keeps the story moving. Miller’s novel also showcases its flawless worldbuilding; it explains Aven’s many lives in compelling terms and offers beautiful sensory details, such as the smells of lemongrass and clove in the shop. The white raven’s occasional chapters of narration are opaque, but otherwise, each character brings the right amount of heart (and plot) to the story. The best part of the novel, however, is Aven and Jo’s friendship, as they often seem to genuinely enjoy each other’s company; they’re characters that fantasy fans won’t soon forget.

A heartfelt fantasy tale with a spirited plot.

Pub Date: April 27, 2017

ISBN: 978-1-947024-01-4

Page Count: 412

Publisher: CreateSpace

Review Posted Online: June 15, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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