Short-listed for the 1993 Booker Prize (see Roddy Doyle above), Phillips's latest novel (Cambridge, 1992; Final Passage, 1990, etc.), like a work of sacred music, combines a ``many-tongued chorus'' limning the pervasive legacy of slavery with an eloquent celebration of survival—of arrival ``on the far bank of the river.'' An African father confesses that it was ``a desperate foolishness...the crops failed...I sold my children and soon after, the chorus of common memory began to haunt me...for two hundred and fifty years I have listened to the many-tongued chorus and occasionally among the restless voices I have discovered those of my own children. My Nash. My Martha. My Travis.'' Their life stories—like those of all slavery's children—are ``fractured, sinking hopeful roots into difficult soil.'' Relieved only by excerpts from the 18th-century diary of a slave-trader who, ``approached by a quiet fellow, bought 2 strong man-boys and a proud girl,'' these stories form the book's core. Nash is transformed into an educated slave who, freed by his idealistic, fervently Christian master, Edward Williams, goes with his encouragement to establish a mission in the newly colonized Liberia. Life there is difficult; letters home to Edward are mysteriously unanswered; and, despairing, Nash moves into the bush and marries local women. A poignant last letter—in which he explains his decision to ``live the life of the African''—is read by a grieving Edward. Meanwhile, Martha appears as a former slave whose beloved only child was sold, and who spends her life searching for her Eliza Mae, then dying—old and frail—in Denver; and Travis becomes a GI in wartime Britain, marrying a local woman with her own unhappy past before he is killed in battle. Beautifully measured writing that powerfully evokes the far- reaching realities of the African diaspora. A master work.
Pub Date: Jan. 25, 1994
ISBN: 0-679-40533-X
Page Count: 256
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1993
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
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