On balance, Phillips’s fictional touches do not help illuminate the issues of race and identity, which he has dealt with...
Phillips (Dancing in the Dark, 2005, etc.) mixes fact and fiction to examine the sad fates of three very different men of color in England.
Francis Barber, more son than servant to Dr. Samuel Johnson, was one of the best-known black men in London in the 18th century. In Phillips’s first piece (“Dr. Johnson’s Watch”), the unnamed narrator rides in the same coach as Barber, the Doctor’s principal legatee, to the great man’s funeral. Sixteen years later, the narrator, by now a retired financier, travels to Lichfield, Johnson’s hometown, to find Barber’s white wife living in poverty and Barber on his deathbed in a grim infirmary; communication is minimal. Barber’s squandering of his legacy has been well-documented, and Phillips adds no new insights. The second, much longer piece, “Made in Wales,” is a workmanlike third-person account of the life of Randolph Turpin, the mixed-race British boxer whose career highlight was his 1951 defeat of Sugar Ray Robinson to become world middleweight champion. Turpin held the title for 64 days before Robinson reclaimed it at their New York rematch. From there it was mostly downhill for Turpin: woman troubles, money troubles, bankruptcy and suicide at 38. The last piece, “Northern Lights,” is the harrowing story of David Oluwale, a Nigerian stowaway who wound up in Leeds in Yorkshire in 1949. (Phillips’s family emigrated from the Caribbean to Leeds, where the author was raised.) Phillips uses some seven different and presumably invented narrators for his portrait of Oluwale; they track his deterioration, but the man remains an enigma, and the summaries of the city’s history are obtrusive. The Nigerian was a gentle loner whose homelessness made him the target of two rogue cops, who caused his death by drowning and were convicted on assault charges. In death Oluwale’s name became a rallying cry for activists.
On balance, Phillips’s fictional touches do not help illuminate the issues of race and identity, which he has dealt with better elsewhere.Pub Date: Oct. 26, 2007
ISBN: 978-1-4000-4397-2
Page Count: 256
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2007
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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