On balance, Phillips’s fictional touches do not help illuminate the issues of race and identity, which he has dealt with...
Phillips (Dancing in the Dark, 2005, etc.) mixes fact and fiction to examine the sad fates of three very different men of color in England.
Francis Barber, more son than servant to Dr. Samuel Johnson, was one of the best-known black men in London in the 18th century. In Phillips’s first piece (“Dr. Johnson’s Watch”), the unnamed narrator rides in the same coach as Barber, the Doctor’s principal legatee, to the great man’s funeral. Sixteen years later, the narrator, by now a retired financier, travels to Lichfield, Johnson’s hometown, to find Barber’s white wife living in poverty and Barber on his deathbed in a grim infirmary; communication is minimal. Barber’s squandering of his legacy has been well-documented, and Phillips adds no new insights. The second, much longer piece, “Made in Wales,” is a workmanlike third-person account of the life of Randolph Turpin, the mixed-race British boxer whose career highlight was his 1951 defeat of Sugar Ray Robinson to become world middleweight champion. Turpin held the title for 64 days before Robinson reclaimed it at their New York rematch. From there it was mostly downhill for Turpin: woman troubles, money troubles, bankruptcy and suicide at 38. The last piece, “Northern Lights,” is the harrowing story of David Oluwale, a Nigerian stowaway who wound up in Leeds in Yorkshire in 1949. (Phillips’s family emigrated from the Caribbean to Leeds, where the author was raised.) Phillips uses some seven different and presumably invented narrators for his portrait of Oluwale; they track his deterioration, but the man remains an enigma, and the summaries of the city’s history are obtrusive. The Nigerian was a gentle loner whose homelessness made him the target of two rogue cops, who caused his death by drowning and were convicted on assault charges. In death Oluwale’s name became a rallying cry for activists.
On balance, Phillips’s fictional touches do not help illuminate the issues of race and identity, which he has dealt with better elsewhere.Pub Date: Oct. 26, 2007
ISBN: 978-1-4000-4397-2
Page Count: 256
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2007
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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