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MOONRISE

The reader may well wonder who is gaslighting Helen, but the Gothic echoes of Manderley and the first Mrs. de Winter set up...

After divorcing her abusive husband, Helen Honeycutt is proud of her newfound independence, and marriage to charismatic Emmet Justice is the last thing she wants. A whirlwind romance, however, sets the stage for the naïve bride to confront Emmet’s past.

A rhododendron tunnel leading to a beguiling ancestral home, the strange death of a first wife, an increasingly confused heroine—King’s (Queen of Broken Hearts, 2007, etc.) latest alludes heavily to Daphne du Maurier’s Rebecca. After finding an album filled with photographs of Emmet’s late wife’s home, Moonrise, Helen becomes obsessed with seeing the mansion and its gardens of night-blooming plants. Once ensconced in Rosalyn and Emmet’s former bedroom, however, Helen begins to regret her decision as she hears bumps in the night and spies shadowy figures in turret windows. She is eager to fit into Emmet’s social circle, yet constant reminders of Rosalyn’s elegance make her only more keenly aware of her own shortcomings. The glamorous set includes kindly Linc, who recently suffered a stroke, and his shrewish wife, Myna, a Pulitzer Prize-winning poet who spends most of her time in New York. Willa, a childhood friend, tends to the properties as well as to Linc’s physical therapy, bonding over lessons in lepidopterology. Tight as lovers, Tansy and Noel are only friends. Lastly, there’s Kit, Rosalyn’s best friend, who likes to needle Helen by obliquely questioning Emmet’s faithfulness. Each chapter shifts perspective, from Helen’s hand-wringing to Tansy’s suspicions to Willa’s struggle to hide the secret of her drunken, abusive boyfriend. These narrative shifts, however, deflect attention from Helen’s mounting fears, deflating du Maurier’s haunting psychological thriller into a predictable tale of romantic obstacles.  

The reader may well wonder who is gaslighting Helen, but the Gothic echoes of Manderley and the first Mrs. de Winter set up unfulfilled promises.

Pub Date: July 23, 2013

ISBN: 978-1-4013-0178-1

Page Count: 400

Publisher: Hyperion

Review Posted Online: May 12, 2013

Kirkus Reviews Issue: June 1, 2013

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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