A perceptive memoir about race, love, and legacy.
Longing for a baby, a woman discovers her family’s gnarled history.
In this intimate and candid memoir, Jackson—a professor of English, writer on race and literature, and co-author of The Toni Morrison Book Club—recounts two grueling experiences: undergoing a lengthy period of in vitro fertilization beginning when she was 36 and, at the same time, painfully probing family mysteries. Why, she wonders, do she and her older sister look so different? What happened in the car crash that killed so many in her father’s family, including his first wife, mother, sister, and 4-year-old niece, for whom Jackson was named? Both of her desires—for a child and for answers to gnawing questions—became as obsessive as they were frustrating, and both were entangled with issues of race. Jackson suffered insensitive treatment by physicians, nurses, and therapists, Black and White, old and young. One Black doctor assured her that Black women have no problems with fertility, unlike White women. Indeed, in the Alabama town where she grew up, there were many teenage mothers, including a 15-year-old who had her brother’s son. “Poor Black girls have babies because nobody expects them to do anything else,” Jackson observes. Near her home in New Jersey, the sight of a pregnant Black teenager elicits “envy and disgust” that the girl has what she, an educated, professional Black woman, is struggling for. Jackson reveals her desperation when repeated hormone treatments yielded few eggs; and when those eggs were fertilized, pregnancies failed. She found herself grieving the loss of embryos, just as she had been grieving her lost relatives, “people whose ghosts have haunted us ever since I can remember being alive.” The author creates vivid portraits of her stoic, irreverent, and warmhearted father; her judgmental, pragmatic mother; and her supremely patient and loving husband. Though the book’s subtitle gives away the happy ending, tension never flags.
A perceptive memoir about race, love, and legacy.Pub Date: May 16, 2023
ISBN: 9780593490020
Page Count: 320
Publisher: Viking
Review Posted Online: Feb. 22, 2023
Kirkus Reviews Issue: March 15, 2023
BOOK REVIEW
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.
A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.
To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.Pub Date: Sept. 12, 2023
ISBN: 9781982181284
Page Count: 688
Publisher: Simon & Schuster
Review Posted Online: Sept. 12, 2023
Kirkus Reviews Issue: Oct. 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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