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THE LITTLE OLD LADY WHO BROKE ALL THE RULES

A merry, lighthearted caper.

Could prison really be worse than a retirement home? Five senior citizens plan the perfect crime to find out.

Martha Andersson has had it with the prisonlike atmosphere at Diamond House Retirement Home. Bad food, limited coffee, and no exercise spell trouble for this spry old woman. With the help of a generous supply of cloudberry liqueur, she recruits her friends into forming The League of Pensioners, bent on committing a crime worthy of incarceration. Perhaps most helpful for Martha’s purposes: nurse Barbara, the ambitious manager of Diamond House. Barbara has her romantic sights set on Ingmar Mattson, the penny-pinching director of the retirement home, and her eagerness to please him leads to the economizing that pushes Martha and her cronies toward a life of crime in the first place—but when Ingmar sweeps Barbara away, it leaves Martha and her cronies the perfect opportunity to misbehave. Brains sorts out the technical details, while Rake and Christina act as henchmen, and Anna-Greta foots much of the bill. Their victimless jewel and art heists, however, soon implode under a series of unexpected obstacles. Instead of hyperbolic, mustache-twirling villains, Ingelman-Sundberg (The Little Lady Who Struck Lucky Again, 2015, etc.) deftly orchestrates the twists and turns in the plot through the foibles of real life, including an overly zealous housekeeper, a vaguely menacing convict, a lazy pair of crewmen, and police officers whose ageism blinds them to the clues right under their noses. Once caught, the pensioners quickly learn much from their fellow inmates—the next crime will certainly come off without a hitch. The first of the League of Pensioners series translated from the Swedish, Ingelman-Sundberg’s tale captures the rebelliousness percolating just under the surface of ignored, shuffled away elderly folks, although the simplistic prose sounds a bit paternalistic at times.

A merry, lighthearted caper.

Pub Date: July 12, 2016

ISBN: 978-0-06-244797-5

Page Count: 400

Publisher: Harper/HarperCollins

Review Posted Online: April 12, 2016

Kirkus Reviews Issue: May 1, 2016

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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