A vividly imagined historical drama of racial tension on America’s last frontier.
Spanning the turbulent years between 1855 and 1867, Bell’s debut novel follows the trials and tribulations of young newlywed and soon-to-be mother Mellie Pickett after she leaves the metropolis of San Francisco for the wilderness of Northern California with her husband, Law—“a man who could hardly read, a man who said ‘the-ay-ter’ and had never been inside one.” While the debate about slavery intensifies elsewhere in the country, Mellie and Law encounter a different conflict in their new home, which lies between the indigenous people native to the land and the white settlers arriving in search of unblemished country. Law is distrustful of—but not hateful toward—their neighbors, while Mellie, inspired by the example of her progressive father, makes an effort to better understand their customs and way of life. In the process, she develops a friendship with a healer woman she calls Bahé—whose skepticism about Mellie’s naïvely good intentions (“Got to be grown and still didn’t know how the earth gives and takes”) makes her easily the most likable character. Bell’s richly textured, well-researched narrative, which alternates between first-person chapters narrated by Mellie and third-person chapters following Law, Bahé and the rest of the valley’s ever growing population, captures the settlers’ varied attitudes toward Native Americans, as well as the uncertainty and indiscriminate tragedy of frontier life. While Bell’s prose occasionally errs toward the overwrought (“[a] heartless moon burned over the corral,” “blood over his shoulders like a cloak,” etc.) and includes a few too many tired devices such as letters and dreams, she writes with a natural ease and authority. From its first line—“It was a beautiful country, though I hated and feared it”—Bell’s is a nuanced, intelligently crafted debut.
This complex, confident novel introduces a promising new voice in historical fiction.
Pub Date: Oct. 15, 2014
ISBN: 978-1941551028
Page Count: 384
Publisher: Washington Writers' Publishing House
Review Posted Online: Aug. 2, 2014
Kirkus Reviews Issue: Sept. 1, 2014
Review Program: Kirkus Indie
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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