by Catherine Dexter ‧ RELEASE DATE: April 23, 1992
A small, catlike figurine that Maggie picks up at a Boston yard sale turns out to be the mummy of a Pharaoh's prized pet—and the Pharaoh wants it back. Whether he appears as the ghost of a boy or as a small ka-bird with a human head, Thutmose the Utmost is more startling than scary—indeed, he's rather whiny, and has hung around for so many years because he's too cowardly to face the trials and gods of the Egyptian Underworld. The plot thickens when Maggie encounters Thutmose's uncle Seth, an evil magician who—not content with having killed his nephew originally—has pursued his spirit down the centuries to destroy it as well. Dexter's loosely constructed storyline is replete with contrivance and labored subplots, but also contains some wonderfully weird moments: Maggie and a friend board a bus to go to the Museum of Fine Arts, but instead it takes them to a decayed neighborhood that they come to realize is the Underworld; later, the climax opens with Maggie and her younger brother alone in a house suddenly awash with scorpions. An intriguing, if uneven, ghost story from the author of The Oracle Doll (1985). (Fiction. 11-14)
Pub Date: April 23, 1992
ISBN: 0-688-09425-2
Page Count: 199
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1992
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by Richard Peck ‧ RELEASE DATE: Oct. 1, 2000
Year-round fun.
Set in 1937 during the so-called “Roosevelt recession,” tight times compel Mary Alice, a Chicago girl, to move in with her grandmother, who lives in a tiny Illinois town so behind the times that it doesn’t “even have a picture show.”
This winning sequel takes place several years after A Long Way From Chicago (1998) leaves off, once again introducing the reader to Mary Alice, now 15, and her Grandma Dowdel, an indomitable, idiosyncratic woman who despite her hard-as-nails exterior is able to see her granddaughter with “eyes in the back of her heart.” Peck’s slice-of-life novel doesn’t have much in the way of a sustained plot; it could almost be a series of short stories strung together, but the narrative never flags, and the book, populated with distinctive, soulful characters who run the gamut from crazy to conventional, holds the reader’s interest throughout. And the vignettes, some involving a persnickety Grandma acting nasty while accomplishing a kindness, others in which she deflates an overblown ego or deals with a petty rivalry, are original and wildly funny. The arena may be a small hick town, but the battle for domination over that tiny turf is fierce, and Grandma Dowdel is a canny player for whom losing isn’t an option. The first-person narration is infused with rich, colorful language—“She was skinnier than a toothpick with termites”—and Mary Alice’s shrewd, prickly observations: “Anybody who thinks small towns are friendlier than big cities lives in a big city.”
Year-round fun. (Fiction. 11-13)Pub Date: Oct. 1, 2000
ISBN: 978-0-8037-2518-8
Page Count: 144
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2000
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by Richard Peck ; illustrated by Kelly Murphy
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by Richard Peck illustrated by Kelly Murphy
by Jack Gantos ‧ RELEASE DATE: Oct. 1, 1998
If Rotten Ralph were a boy instead of a cat, he might be Joey, the hyperactive hero of Gantos's new book, except that Joey is never bad on purpose. In the first-person narration, it quickly becomes clear that he can't help himself; he's so wound up that he not only practically bounces off walls, he literally swallows his house key (which he wears on a string around his neck and which he pull back up, complete with souvenirs of the food he just ate). Gantos's straightforward view of what it's like to be Joey is so honest it hurts. Joey has been abandoned by his alcoholic father and, for a time, by his mother (who also drinks); his grandmother, just as hyperactive as he is, abuses Joey while he's in her care. One mishap after another leads Joey first from his regular classroom to special education classes and then to a special education school. With medication, counseling, and positive reinforcement, Joey calms down. Despite a lighthearted title and jacket painting, the story is simultaneously comic and horrific; Gantos takes readers right inside a human whirlwind where the ride is bumpy and often frightening, especially for Joey. But a river of compassion for the characters runs through the pages, not only for Joey but for his overextended mom and his usually patient, always worried (if only for their safety) teachers. Mature readers will find this harsh tale softened by unusual empathy and leavened by genuinely funny events. (Fiction. 11-13)
Pub Date: Oct. 1, 1998
ISBN: 0-374-33664-4
Page Count: 154
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1998
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