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THE YEARS THAT FOLLOWED

Lived-in, hard-earned feminism swirled with a noir tone and dark turns makes for a great read.

Irish novelist Dunne makes her U.S. debut with this intricate saga.

The title of this novel is a puzzle. Which of the events or choices to be found here answers the question: followed what? The first and splashiest is a double murder—a hit—ordered by one of the two female protagonists, Calista, and discovered by the other, Pilar. The concern of the book, though, is not what follows this particular piece of violence but what caused it and what connects the two women despite their separate lives. Calista is from Dublin, the daughter of a wealthy Irish businessman and a well-bred Spanish mother. In 1966, when she's 17, she's seduced by 30-year-old Alexandros, an associate of her father’s, becomes pregnant, and is made to marry him and move to his family home in Cyprus. This is an old tale, but Dunne reveals the brutal power of the seduction—the way, when Alexandros forces himself on Calista, she convinces herself it's love. Pilar’s story echoes Calista’s in looping, interesting ways. She comes from a poor background in the Spanish countryside but, with fierce, cagey tenacity, crafts a life for herself in Madrid, coming to own and run the high-class apartment building where a murder will one day take place. Unlike her own mother, and unlike Calista in a nearby part of the world, Pilar is never abused by men. Nonetheless, she finds herself pregnant with few options and little support. The redemptive qualities of children (and the devastation that comes with their loss) factor into all the lives in this tale. Calista and Pilar are wonderful characters to watch develop as they weather this theme and as they work to define and enrich themselves against steep, cruel odds.

Lived-in, hard-earned feminism swirled with a noir tone and dark turns makes for a great read.

Pub Date: Oct. 11, 2016

ISBN: 9781501135668

Page Count: 352

Publisher: N/A

Review Posted Online: July 19, 2016

Kirkus Reviews Issue: Aug. 1, 2016

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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