by Catherine Friend ‧ RELEASE DATE: May 1, 2011
Like sheep themselves, the author’s account often wanders outside the confines of the pasture and into the readers’ hearts.
What is the common thread between road rage, Elvis and socks?
The answer: wool, writes Friend (The Compassionate Carnivore, 2009, etc.) in this memoir about raising sheep with her partner. The story begins with an anecdote about a man who, during a visit to the author’s farm to purchase beef, became riveted by a sign that read, “Warning Electric Fence.” It's the perfect extended metaphor for Friend’s adventures on the farm—that caution often gives way to curiosity, demonstrated soon after as the man reached out and was shocked. Like her customer, the author has been intrigued by adventures into unknown territory. In her latest installment of life on the farm, the author focuses on the middles, the times not often celebrated, ruminating on being both mid-career and middle-aged. The author's humility is engaging, and she is well aware that sheep farming isn't the broadest of interests: “If people are relying on me to show them the way, they’re in big trouble…basically because I’ve begun turning to memoirs myself in search of direction and encouragement.” But she's quite wise, as well, offering several insights into what humans can learn from sheep. Friend ably weaves together comical stories, strands of self-help, historical and environmental facts.
Like sheep themselves, the author’s account often wanders outside the confines of the pasture and into the readers’ hearts.Pub Date: May 1, 2011
ISBN: 978-0-306-81844-8
Page Count: 256
Publisher: Da Capo
Review Posted Online: May 3, 2011
Kirkus Reviews Issue: May 15, 2011
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by Catherine Friend & illustrated by John Manders
by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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