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LENIN ON THE TRAIN

A superbly written narrative history that draws together and makes sense of scattered data, anecdotes, and minor episodes,...

British historian Merridale (Red Fortress: History and Illusion in the Kremlin, 2013, etc.) fills a lacuna in the canonical record of Soviet communism.

Like Sherman’s March to the Sea and Hannibal’s crossing of the Alps, V.I. Lenin’s rail journey from Zurich to Petrograd is one of the most storied journeys in history. It has long been known that Germany brokered the wartime trip, the aim being to enable Lenin to foment revolution and take Russia off the front. However, as the author amply shows, to say “Germany” is to speak too broadly, for while it was just a faction in the civilian government of that country willing to gamble on Lenin’s powers of persuasion, “other departments and agencies had budgets of their own” and were “pouring money” into propaganda and sedition so that Russia would sue for peace, leaving Germany to fight a single-front war against the Allies in the West. Of course, as Merridale also shows, the Allies had propaganda budgets as well, though in the end, all that money added up to an “egregious failure rate,” just as British efforts to turn Lenin back at the frontier failed. The author explores the behind-the-scenes machinations that led to Lenin’s return from decades of exile. Moreover, in vivid prose, she recounts the whole engine of revolution, giving immediacy to the details of Lenin’s arrival at the Finland Station and the electrifying result his presence had in an already revolutionary and decidedly mutinous Russia. She also emphasizes little-known aspects and players in the struggle, from the central role Pravda played in transmitting news and its ability “to speak directly to the dispossessed” to the work of the almost unknown revolutionary leader Irakli Tsereteli.

A superbly written narrative history that draws together and makes sense of scattered data, anecdotes, and minor episodes, affording us a bigger picture of events that we now understand to be transformative.

Pub Date: March 28, 2017

ISBN: 978-1-62779-301-8

Page Count: 368

Publisher: Metropolitan/Henry Holt

Review Posted Online: Jan. 23, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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