With uncommon brio, Thimmesh traces the course of women in the modern international political arena, profiling with even-handed admiration pivotal figures, from Susan B. Anthony to Condoleezza Rice and Benazir Bhutto, who have left, or are leaving, “a lasting footprint—whether it be pointy-toed and spike-heeled or rubber-soled and loosely laced—on the very bedrock of America” and the world. Jones debuts with a gallery of freely drawn, but recognizable portraits, alternating with a running subplot involving a circle of adults and children in exaggerated, theatrical poses unsuccessfully trying to persuade a child to give up her stubborn determination to become president of the US. Capped with a timeline, and a stunning mosaic of the White House made from thousands of microscopically tiny photos of girls and women, this natural follow-up to Lynne Cheney’s more populous but US-focused A Is For Abigail (2003) offers a spectacular mix of entertainment, information, and inspiration. (source list, index) (Nonfiction. 9-11)
Pub Date: Aug. 30, 2004
ISBN: 0-618-39666-7
Page Count: 80
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2004
Ringgold’s biography of Rosa Parks packs substantial material into a few pages, but with a light touch, and with the ring of authenticity that gives her act of weary resistance all the respect it deserves. Narrating the book is the bus that Parks took that morning 45 years ago; it recounts the signal events in Parks’s life to a young girl who boarded it to go to school. A decent amount of the material will probably be new to children, for Parks is so intimately associated with the Montgomery Bus Boycott that her work with the NAACP before the bus incident is often overlooked, as is her later role as a community activist in Detroit with Congressman John Conyers. Ringgold, through the bus, also informs readers of Parks’s youth in rural Alabama, where Klansmen and nightriders struck fear into the lives of African-Americans. These experiences make her refusal to release her seat all the more courageous, for the consequences of resistance were not gentle. All the events are depicted in emotive naive artwork that underscores their truth; Ringgold delivers Parks’s story without hyperbole, but rather as a life lived with pride, conviction, and consequence. (Picture book/biography. 5-9)
Pub Date: Nov. 1, 1999
ISBN: 0-689-81892-0
Page Count: 32
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1999
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
From Kroll (Lewis and Clark, 1994, etc.), a handsomely illustrated biography that introduces a fascinating historical figure and will make readers yearn for more information. The facts are covered, including Fulton’s stints as sign painter, air-gun inventor, and apprentice jeweler; Kroll states clearly which details cannot be pinned down, and the probable order of events and incidents. The text is informative and lively, although in places the transitions are abrupt, e.g., one of the only references to Fulton’s personal life—“Meanwhile, on January 7, 1808, Fulton had married Harriet Livingston. She bore him four children”—quickly reverts to details on the building of boats. Warm gold-toned paintings convey a sense of times past and complement the text. Especially appealing are the depictions of the steamships. A welcome volume. (chronology) (Picture book/biography. 6-10)
Pub Date: March 15, 1999
ISBN: 0-8234-1433-7
Page Count: 32
Publisher: Holiday House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1999
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