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THE INDIAN AND ME

A potentially compelling love story burdened with excessive detail.

A British woman navigates colonial America and her relationships with her military husband and an Indigenous tutee in this historical novel.

The story begins in Seneca Indian Territory (located in an area that would become New York), where Kitchi—known as Ki to the white men who struggle to pronounce his name—is born to a white father and an Indigenous mother. When he comes of age in 1774, the chief decides to give him to the British army to “be a spy in the camp of the white man and, yes, learn his ways, then maybe [the Seneca]would know how to defeat [the white man].”In London, Lord John Townset courts 19-year-old aristocrat Julia Rainsford. Determined to take her to America, Townset soon weds her and does just that. The two storylines intersect in 1776, when Ki—now working as a guide—is living in the barn of the house the Townsets occupy. Julia has reservations about her living situation: “It was very awkward living in a place where the people were obliged to hand over anything the Crown might feel they needed.” As Townset grows increasingly imperious and violent in the New World, Julia endures his abuse, aided by a growing bond with Ki. First, she is assigned to be his tutor in the English language and the ways of white people, but soon the student and teacher share a kiss, and Ki urges Julia to leave her husband and run away. When Townset learns of the affair, he threatens to send Julia back to England. Instead, she flees with Ki to his Indigenous community, where their roles reverse. One might think that this would be more than enough for a novel to take on, but this all occurs in the first 100 pages of a nearly 500-page book. Ki and Julia’s love must overcome more challenges, and Peebles’ scope continues to expand to include lengthy passages about the Revolutionary War, Julia’s sister’s move to America, and the inner workings of the Seneca tribe.

In her opening author’s note, Peebles states that she based the central characters on real people; having apparently done extensive research, the author brings the story to life with impressive verisimilitude. But while the narrative is dense with historical fact, the characters feel flimsy—they’re often reduced to types and not always consistent across scenes. Ki, in particular, often comes across as the wise, noble rescuer of the white woman (a reverse Pocahontas figure with few flaws) whose command of English, though it improves somewhat, is regularly rendered in a clichéd fashion: “This my home, now the white man here”; “You want Seneca; we make you Seneca today.” Julia’s quick acceptance of Seneca society, and the tribe’s equally swift embrace of an aristocratic British woman, while perhaps grounded in historical fact, seem too easy. There is little sense of tension in the couple’s comings and goings, and rarely any worry that events might not work out in their favor. With more passion, greater nuance and complexity in the characterizations, and a tighter focus on the central narrative (rather than on minor events and side characters), this love story might have carried greater emotional weight.

A potentially compelling love story burdened with excessive detail.

Pub Date: March 8, 2024

ISBN: 9781649907158

Page Count: 497

Publisher: Palmetto Publishing

Review Posted Online: Oct. 1, 2025

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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  • New York Times Bestseller

Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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