A propulsive thriller with teen protagonists in peril.

RUN DON'T THINK

A YA novel features two teenagers on the run after they’re assaulted by a masked man.

In Credence, Alabama, 17-year-old Angel Lockhart and her boyfriend, 18-year-old Skip Greene, have just left their high school dance. As they walk to Skip’s truck, a masked man holds up a “laser-looking gun,” threatens them, and removes his mask. Then another masked man—Pade Sanders, one of Skip’s best friends—intervenes. He tells them they’re in danger after seeing the face of the first masked man, and instructs them to leave, giving them a case with $100,000. They drive to Angel’s home so she can pack clothes, and after sneaking through her window, she overhears her parents talking to someone named agent Payne. Angel eventually speaks with her father, Jon, and he tells her to get to Detroit. Once at the address, she must say she’s “with the church.” He plans to meet the teens there in 72 hours. Shocked and upset, they agree to hit the road. But after they change cars, Angel sees glowing violet eyes in the nearby woods. In her head, she hears, “You’ll never escape who you are.” Beginning a new series spun off from her Leftover Girl books, Bolick (Fate of War, 2017, etc.) blends paranormal and sci-fi elements within a quick-moving thriller framework. Early on, there’s a mention of Pade’s sister, Bailey, whose disappearance might have involved aliens. Later at a hotel, the plot takes shape when a detective is murdered on a stakeout, his body drained of blood. The author keeps pulses pounding with Skip’s willingness to ditch the cops who have asked the teens to make a statement. While alone on the road, the couple abstain from premarital sex, spend lots of cash, and switch vehicles often. Readers may grow frustrated as important narrative details drop like gifts into the protagonists’ laps; the author tends to tell rather than show audiences. But by the end, everything is connected, with an agency called Earth Under Fire at the center. Angel and Skip are bonded through a twist that should give fresh dimension to the sequel.

A propulsive thriller with teen protagonists in peril.

Pub Date: April 26, 2018

ISBN: 978-1-946089-12-0

Page Count: 261

Publisher: Dirt Road Books

Review Posted Online: June 4, 2018

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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