Payne—who formed his own press and self-published this novel, his first, in 1993—shoots for Holden Caulfield but winds up with Ferris Bueller in this overly long pastiche of teen clichÇs and YA fantasies. Nick Twisp is a precocious 14-year-old Californian with divorced parents. His floozy mother neglects him, while his equally libidinous father alternately avoids and exploits poor Nick. Naturally, Nick is obsessed with losing his virginity and hopes to do so with the girl of his dreams, Sheeni, a pretentious would-be teen philosopher who longs to run off to Paris. To win her, Nick involves himself in a variety of absurd capers, including: burning down half of Berkeley after jettisoning a trailer stolen from his mother and one of her boyfriends; getting himself thrown out of his mother's house so that he can live with his father and thus be closer to Sheeni (only to see her transfer to a French-speaking school farther away); tricking a naãve girl into drugging Sheeni's roommate; applying for a scholarship to study in India; and finally disappearing, only to reappear in drag so as to be closer to the girl who has grown to hate him because of his increasingly annoying and failed machinations. Payne uses Nick as a vehicle to deliver many funny set-pieces, yet he steamrolls right over anything resembling real emotion, as Nick possesses none of the fallibility or social awareness of other fictional diary-writers—the title character, for instance, of Sue Townsend's much more compelling The Adrian Mole Diaries (1986). Meanwhile, Payne's obvious verbal skills betray him as he tries too hard to impress—``sobriquet,'' ``hirsute virility,'' and ``tumescent loins'' improbably appearing in Nick's very first entry. Payne's talent occasionally peaks through this John Hughes- like romp, but hold out—and hope for—a better, more mature second effort.
Pub Date: April 14, 1995
ISBN: 0-385-47693-0
Page Count: 496
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1995
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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